(M)other work: feminist maternal performance art 

Expressionism multiplied: early twentieth-century German posters between art, commerce, and politics 

Language and identity in critical sensegiving: journeys of higher education equity agents 

Decolonizing the classroom: moving from reflection to critical reflection 

Art on billboard space: Subversive intervention in the city of Los Angeles 

Subverting state violence through the art of hood politics: an exploratory study of Black and Latinx students' critical consciousness and political efficacy 

lipton-cultural-arts-196304-107-126 

Fragmented memory: William Olander and the exhibition as criticism 

A critical examination of the three main interpretations of probability 

Misunderstood films from the 90's - 00's 

Assessing the impact of diversity courses on student-faculty interactions, critical thinking and social engagement 

Entanglement in quantum critical and topological phases 

Surveying the field: the popular origins of art history in nineteenth-century Britain and France 

Imaginative identification. Feminist critical methodology in the Women's International League for Peace and Freedom (1945-1975) 

Interpreting participatory art 

People's art: street painting in the Los Angeles area 

Ableism in the U.S. art context: curators, art museums, and the non-normative body 

Critical issues of minimal art 

Screenwriting double function of anonymity for female authors in Hollywood and critical issues of authorship in cinema: two screenplay case studies: Grace of my heart and Edward Scissorhands 

lipton-cultural-arts-196304-175-196 

A new eros: sexuality in women's art before the feminist art movement 

A Calder trigraph: A study of American criticism as applied to three generations of Calder style (to 1948) 

Film theory and the rise of fascism in Germany, 1933 

Robert Redford and the American West 

The impact of diversity courses on students' critical thinking skills