Jesus, the artist-teacher 

Art into everyday life: department stores as purveyors of culture in modern Japan 

Existential surplus: affect and labor in Asian diasporic video cultures 

I might end up a right-winger: writing counterpublics for the eighties 

Art and epic theater in Cold War Germany 

From Chicano therapy to globarriology: Chican@ popular culture and identity in late 20th and early 21st century Los Angeles 

The multivalent platforms of alternative art publications as agents of authentic cultural change 

Artists' reenactments: the Vietnam War, the War on Terror, and the performance of American activism 

A forward looking art: education, creative exchange, & the rise of modern Native American artists 

Re-crafting criticism in an algorithmic world 

Microsoft Word - ARTIST AS REPORTER resubmit2 

Performing excess: the politics of identity in La Chica Boom 

Community engaged art: no longer a form of resistance? 

The Library of Congress Archive of Recorded Poetry and Literature, 1941-1961, and Famous Birds, a collection of poems 

Fragmented memory: William Olander and the exhibition as criticism 

Transcendent hybridities: Lu Yang's interrogation of gender, technology, and "Chineseness" in contemporary 

Victory Gardens 2007+: making art as if the environment matters 

The Hollywood left: cinematic art and activism in the 1930s 

Inner and outer nature: The video art of Mathilde Rosier 

The second gender: the impact of Chinese collectivism on women's psychological subjugation 

From victim to subject: dramatization as research in Thailand's anti-trafficking movement 

A plastic picturesque: notions of public as projected through the works of Claes Oldenburg and Andy Warhol 

Toward savage peace: A conflict of narratives in J. Roberts Oppenheimer's public discourse, 1945-1967. 

What is an artist?: Role identification of the artist in the Renaissance 

Sampling blackness: performing African Americanness in hip-hop theater and performance