In the art of revolution: integrating community arts into the existing development work of non-government organizations in Guatemala and El Salvador 

Scott A. FitzGerald, etcher of the American scene: a catalog raisonnè with an introduction to the art of etching 

Mónica Mayer's collective art practice, 1978–2018 

An aesthetic of comprehension: the distribution of American land art and conceptual art in Germany, 1968-1975 

Writing resistance: sex, love and feminine protest in Moroccan literature and film 

Evaluating art for social change: the Anti-Eviction Mapping Project and the Los Angeles Poverty Department in relationship to Tania Bruguera’s concept of Arte Útil; Evaluating art for social cha... 

Sustainability through participation: public art projects by Fritz Haeg, Futurefarmers, and Fallen Fruit 

Ableism in the U.S. art context: curators, art museums, and the non-normative body 

From land art to social practice: environmental art projects by Helen Mayer Harrison and Newton Harrison, Bonnie Ora Sherk, Mel Chin, Fritz Haeg, and Fallen Fruit 

Soft walls / hard spaces: an(other) narrative for Eileen Gray’s E.1027 

Performative futurity: transmuting the canon through the work of Rafa Esparza 

Customization of the mRNA display cycle – from protease resistance to high throughput analysis of peptide ligands 

Poetry as a political tool: text and image in the narrative of Theresa Hak Kyung Cha 

Contemporary art and "post-black" identity politics 

Good Girl VR: straddling installation art, performance art, and identity politics with a virtual environment 

Art on television: 1967-1976 

The Museum of Modern Art’s Cineprobe program and Essential Cinema at Anthology Film Archives: curating underground film 

Tracing a history: an exploration of contemporary Chicano art and artists 

Las Vegas as public art 

Differential stress resistance (DSR) and differential stress sensitization (DSS): molecular mechanisms behind the efficacy of short-term starvation (STS) 

Contributions of dynamic cerebrovascular function to cognitive decline and dementia: development and validation of a novel neuroimaging approach 

El Monte and South El Monte reimagined through arts, culture and activism 

Beyond cultural: Global approach in visual art 

Art as individuation 

Porous bodies: contemporary art's use of the osmotic as a means of reconfiguring subjectivity