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Sixty Years Of Clarinet Chamber Music:  A Survey Of Music Employing Clarinet With Stringed Instruments Composed 1900-1960 For Two To Five Performers
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The Two Oratorios Of Carl Philipp Emanuel Bach In Relation To Performance(Volumes I-Iii)
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Case conceptualization strategies:  The relationship between psychologists' experience levels, assessment task, and cognitive complexity
A translation of "SYNTAGMA MUSICUM III" by Michael Praetorius
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Performance practice in German and Italian accompanied sonatas at the time of Handel
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The use of the piano in relation to the string instruments in the piano trios, quartets, and quintets of Haydn, Mozart, Beethoven, Schubert, and Brahms
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An annotated catalogue of American violin sonatas, suites, and works of similar character: 1947-1961, with a survey of traditional and contemporary violin technique
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Clementi, Beethoven, and the piano sonata: A comparative study
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The string quartets of Johann Georg Albrechtsberger: An historical and formal study
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Music for organ and instruments written by American composers since 1950 and their application in Protestant worship
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The choral music of Kirke Mechem: A study and performance of representative works
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Programmatic elements in the works of Schoenberg
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Christian Friedrich Daniel Schubart's "Ideen zu einer Aesthetik der Tonkunst": An annotated translation
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A study and performance of Rossini's "Stabat Mater"
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Thematic integration of the chorale melody "Wer nur den lieben Gott laesst walten" in Brahms's choral music
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The development of a computer-based interactive multimedia program for teaching interpretive aspects of wind instrument notation
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The Epic of Gilgamesh: An opera cycle---opera I, act I
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The Stabat mater: An analysis of settings by Domenico Scarlatti and Karol Szymanowski
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"Timedelusions" for orchestra
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Introduction to Rodion Shchedrin's Russian Orthodox liturgy, "The Sealed Angel"
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