Typophoto and the reinvention of photography in Weimar Germany 

Graphic art in Weimar Berlin: the case of Jeanne Mammen 

Speculating on paper: print culture and the German inflation, 1918-1924 

In the flesh: the representation of burlesque theatre in American art and visual culture 

Elevated: Ballet and culture in the United States, World War II to the National Endowment for the Arts 

Expressionism multiplied: early twentieth-century German posters between art, commerce, and politics 

The problem of the missing museum: the construction of photographic culture in the GDR 

Screens on the move: media convergence and mobile culture in Korea 

Total integration: design, business, and society in the United States, 1935–1985 

The life of a text: Bertolt Brecht's Three Penny Opera. Studies in literary and cultural transfer 

Eclipsed cinemas: colonial modernity and film cultures in Korea under Japanese colonial rule 

Magic and media: the critical concept of telepathy (1918-1939) 

Machines of the un/real: mapping the passage between the virtual and the material in the attraction 

Urban landscape and cultural imagination: Literature, film, and visuality in semi-colonial Shanghai, 1927-1937 

Racial ninjas and origami tigers: cultural compartmentalization, gender mediation, Asian illegibility and the orientalization of the Asian American novel 

Art and epic theater in Cold War Germany 

Reading expressionist architecture: German modernism and 'paper architecture,' 1914-1920 

Spinning wheels: cosmopolitanism, mobility, and media in Monaco, 1855-1956 

The somnambulist's hour: unruly bodies and unruly modernism, 1913-1947 

Seeing through evil: women modernists and their fascist dictators 

The stage of the Bauhaus: A critical study of a nonliterary theater 

Projections of the fatherland: Representations of Germany in the Hearst newsreels, 1929--1939 

Hollywood glamour: sex, power, and photography, 1925-1939 

The decisive network: Magnum Photos and the art of collaboration in postwar photojournalism 

Designing a personal narrative through collaged mass-market images: traditional collage and digital collage