Web 2.0: An examination of its effects upon U.S. public relations practices 

At least half the picture: sound and narration in the postwar / pre-Dolby American film 

The Lucas Effect: George Lucas and the New Hollywood 

Exposure to alcohol advertising on television and alcohol use among young adolescents 

Well-being domesticities: mediating 21st-century femininity through physical, mental, and emotional lifestyles 

Framing the fight: post-9/11 warfare and the logistics of representation 

Music, image, gesture: The graphical score and the visual representation of music in cinema and digital media 

The city seen: Cinematic representation of urban space 

The world, abjected: contemporary comedy across media 

Screens on the move: media convergence and mobile culture in Korea 

Girls, girls, girls: Gender and generation in contemporary discourses of female adolescence and youth culture 

Telling war stories: How the United States military and Hollywood produce a warrior culture 

G33K Out: www.angiefsutton.com/g33kout/ 

Prophets of rage: Race, nation, Islam and the cultural politics of identity 

Mediating Hispanidad: screening the Hispanic-Atlantic imaginary 

Programming the apocalypse: recombinant narrative in cyberspace 

Part-time labor, full-time dreams: extras, actors, and Hollywood's on-screen talent 

The body and its "thumbnails": the work of the image in mobile-imaging 

Transnational film remakes: time, space, identity 

Anglo agonistes: English masculinities in British and American film 

Virtual bodies, chaotic practices: Complex narratives in the popular imaginary 

Hollywood vault: the business of film libraries, 1915-1960 

Public places, private journeys: technology and the mobilized gaze of the tourist 

The "I" behind the image: Mobilizing subjectivity through film, video, and new media 

Cinema bulimia: Peter Greenaway's corpus of excess