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Perpetual misunderstanding: Paul Thek in the nineties
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Santa Monica: The transformation of the city---the downtown: From Lincoln Boulevard to the pier
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The Gutai group:  Intervention into materials, time, site, and public.
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EAffuso-Dissertation-Final
Ruin of bodies, bodies in ruin
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Microsoft Word - BEQUIET_titlepage.docx
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Histoire, nation et identité: les femmes dans l'espace autobiographique entre la France et l'Algérie
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Performing the collective
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"Necessity knows no law": artist-run spaces & the spatial politics of Tijuana's public domain
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Alternative art incubators: cultivating collaboration and innovation in Los Angeles public art practices
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Identity crisis: redefining the other in Fred Wilson's Speak of me as I am
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The making of Kazimir Malevich's Black square
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the whole dissertation 7/10/11
Rethinking feminist cinema: Agnès Varda and filmmaking in the feminine
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Exploring best practices for building a university's public art collection
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An aesthetic of comprehension: the distribution of American land art and conceptual art in Germany, 1968-1975
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Envisioning bodily difference: refiguring fat and lesbian subjects in contemporary art and visual culture, 1968-2009
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Biennial rising: Prospect.1 New Orleans and the post-disaster arts movement
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The globalization of contemporary Chinese art: biennales, large-scale exhibitions, and the transnational work of Cai Guo-Qiang
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A vernacular vanguard: surrealism and the making of American art history
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