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The Two Oratorios Of Carl Philipp Emanuel Bach In Relation To Performance(Volumes I-Iii)
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The German Baroque Church Cantata And Its Use In Twentieth Century Corporate Worship
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The Sacred Cantata 'God Hath Awakened The Lord,' By Carl Philipp Emanuel Bach, In Relation To Its Performance. (Volumes I And Ii)
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Performance practice in German and Italian accompanied sonatas at the time of Handel
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The development of the oboe in the Baroque era
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Effects of background music and field dependence/independence on cognitive achievement of college students
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Selected masses of Jan Dismus Zelenka (1679-1745): An examination of the general style with emphasis on "Missa gratias agimus tibi" (1730)
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Historical background and analysis of Carl Heinrich Graun's "Der Tod Jesu"
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A conductor's study of Cantata BWV 106 by Johann Sebastian Bach
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A study of divertimento music, its history, form and usefulness in the instrumental music program
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A study and celebration of the German Lutheran Sunday morning worship service in the time of J. S. Bach
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Johann Christoph Friedrich Bach: His contribution to eighteenth century cantata illustrated in "Himmelfahrt Musik"
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Flute quintette
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An analysis of the music content in ten piano methods (1994-2006) for the elementary-aged beginning piano student for MENC National Standards based elements
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The motets of Georg Philipp Telemann: a study of their sources, musical style, and performance practice
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Hugo Distler and the renewal movement in Nazi Germany
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