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Back to Ostrovsky!: reclaiming Russia's national playwright on the early Soviet stage
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Teaching As A Dramatic Performance:  An Inquiry Into The Application Of The Stanislavski Method To The Classroom
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A curriculum for the teaching of movement to actors, making use of the dance technique, improvisation, and the Stanislavsky Method of Physical Action
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The awareness and practice of intentional leadership
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Goals inherent in the acting theories of Zeami, Stanislavski, and Grotowski
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The method, from Stanislavski to Hollywood: The transition of acting theory in America from stage to screen (1900-1976)
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Deti solntsa (Pulemet, no.1, p.4, 1905)
A statistical survey of the preparatory training of professional actors and actresses
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Two plays and a film:  The Meyerhold /Faiko collaboration
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The federal theatre: Its influence upon and value to the public, its participants and the school
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A comparative analysis of the major philosophies of acting to resolve the proposition that like goals evolve like methods
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A production analysis of Anton Chekhov's "The Cherry Orchard"
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The theater schools of Michel Saint-Denis: a quest for style
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An analytical and descriptive study of the contributions of Edward Gordon Craig to modern theatre art
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Modern dance for drama and music students
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The direction and production of high school plays
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A medley of metaphors
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USC chronicle, vol. 19, no. 12 (1999 Nov. 15)
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The thousand scenes in one scene:  Edward Gordon Craig's system of mobile screens.
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The Artful Artificer, Bertolt Brecht:  A Study Of Six 'Bearbeitungen.'
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A descriptive study of lighting problems encountered and solved in selected productions
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Theatrical realism: An American film style of the fifties.
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The history of the Habimah Theatre (the national theatre of Israel)
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