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An investigation of the principles, technique, and significance of "montage" in motion pictures
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A comparative analysis of the filmic theories of Slavko Vorkapich with those of the literary-dramatic and the documentary film makers
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Revolutionary cinema : Soviet art-propaganda, 1919-1938
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The film aesthetics of Jean Mitry
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Invited strangers
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Film aesthetics and Japanese art: A critical analysis of Eisenstein's interpretation of the traditional Japanese arts
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Cinema verite.  A descriptive study
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The stealth novel
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Art and epic theater in Cold War Germany
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Hybrid networks and urban spaces in post-socialist Cuba
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Nation in uniform: Chicano/Latino war narratives and the construction of nation in the Korean War and Vietnam War
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Jean Painlevé's cinematic wildlife, 1924-1946
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Transnational modernity, national identity, and South Korean melodrama (1945-1960s)
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The body and its "thumbnails": the work of the image in mobile-imaging
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Declarations of independence: film and the American mythology
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Diss Last Format
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Solidarity, violence, and the political imagination: Chicana literary imaginings of the Central American civil wars, 1981-2005
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Elevated: Ballet and culture in the United States, World War II to the National Endowment for the Arts
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Killing culture two: toward an anatomy of cultural transformation in early Soviet Russia, 1920s-1930s
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Rituals of a nation's identity: archaeology and genealogy in antiquities museums of Rome
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Empty threats: the collision of aesthetic, industrial, and revolutionary imperatives in montage
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Back to Ostrovsky!: reclaiming Russia's national playwright on the early Soviet stage
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Death from above: art contemplates drone warfare
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One more time: instances, applications, and implications of the replay
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