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An analytic investigation of Schumann's "Scenes from Childhood" Opus 15
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Harmonic materials and usages in the "Lorca Cycle" of George Crumb
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Structural coherence in late twentieth century music: The linear-extrapolation paradigm applied to four American piano compositions of diverse musical styles (Martino, Rzewski, Crumb, and Adams)
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Schenkerian analyses of Frederic Chopin's Mazurkas, opuses 6, 7 and 17
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Sound-on-film: John Cage and avant-garde cinema
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They do that voodoo so well: a critical examination of selected songs of the founders of the American standard songbook
Hybrid methods for music analysis and synthesis: audio key finding and automatic style-specific accompaniment
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David Ward-Steinman and his oratorio The Song of Moses: an appreciation and analysis
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In the shadow of Te Deum: An analytical response to the history of disregard surrounding Antonín Dvořák's patriotic cantata, The American flag
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Dissertation
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