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Walker Art Center, Palais de Tokyo, and DocumentaA case study of creating social spaces and participatory experiences for new audiences
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Art on billboard space: Subversive intervention in the city of Los Angeles
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Ruin of bodies, bodies in ruin
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Tracking Ida
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Mejor vida/better life and day-to-day exchanges: Networks of social exchange in contemporary arts practice
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Four women, four public art projects, four decades: exploring socially conscious public art and social change
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Staring at Long Beach's oil islands
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Sites of oppositional consciousness: the construction of an alternative cyborg in Trinh T. Minh‐ha’s Night Passage
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Nature is as nature does: recent sustainable artists and the practice of local ecology
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Redress: gender and power in Saudi Arabian art
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Lapses in memory: slavery memorials and historical amnesia in the United States
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Embodiment of text after conceptualism: Language and video in Fast trip, long drop (1993) and Cornered (1988)
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Light and space as experience: a study of the work of James Turrell, Olafur Eliasson, and perceptual phenomenology
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A commitment to our shared destiny: transformational gardens and a vision of equity
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Knock, knock, who’s there? A desire to laugh and play: a selection of sculptural works by Joshua Beliso
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brin_thesis_07202011
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Performing excess: the politics of identity in La Chica Boom
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Inner and outer nature: The video art of Mathilde Rosier
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Tattoo: a colonization story
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(M)other work: feminist maternal performance art
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Movement, immigration, and racial capitalism: Miko Revereza’s films
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Perceiving the environment through sound
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Art and cultural diplomacy in the international exhibition: documenta 1 and Prospect.1
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A plastic picturesque: notions of public as projected through the works of Claes Oldenburg and Andy Warhol
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In the art of revolution: integrating community arts into the existing development work of non-government organizations in Guatemala and El Salvador
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