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Front entrance of the Exhibition Building, Los Angeles, [s.d.]
An angled view of the front entrance of the Exhibition Building, [s.d.]
Willa Cather's works as they reflect early American folkways
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The history of industrial arts in the secondary schools of Missouri
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Building provisions for a two year junior college in California
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An investigation of garden fountain design with emphasis upon twentieth century adaptations and creations.
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A polychrome terra cotta relief panel for Harris Hall of Architecture and Fine Arts.
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The creation of a carved California walnut overmantel panel for a house of contemporary design.
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An evaluation of Ramanesque sculpture in a study of the four causes of its being.
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Relations of realism and stylization in late Spanish romanesque sculpture as revealed in monuments at Oviedo and Avila
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Sens Cathedral and the early Gothic
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I leave to Spain my aesthetic sense: The history of the Lazaro Galdiano Museum
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A stylistic examination of the northern Ch'i and Sui: A stone bodhisattva from the San Diego Museum of Art
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The French Romanesque portals of Moissac, Souillac and Beaulieu: a response to the papal reform movement and popular heresy
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Taking their place: Benedictine child oblates at eleventh-century Canterbury Cathedral priory
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Révoltes sans témoin: la tracée du marronnage dans la littérature haïtienne
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The rhetoric of representation: planning Los Angeles' civic space, 1909-2009
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David Ward-Steinman and his oratorio The Song of Moses: an appreciation and analysis
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Creating sacred spaces in the suburbs: Roman Catholic church architecture in postwar Southern California
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"Writing our own program": the USC experiment in modern architectural pedagogy, 1930 to 1960
Stay in L.A.: hotels and the representation of urban public space in Los Angeles, 1880s-1950s
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Surveying the field: the popular origins of art history in nineteenth-century Britain and France
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Primal perception: the artist as animal in Nineteenth-Century France
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The marking of monastic space: inscribed language on Romanesque capitals
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Temporary or permanent? Considering time, memory and history in public art projects
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