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Frank Lloyd Wright's textile block: the essential qualities, challenges and alternative methods
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Preserving architect-designed functional spaces: the case of the Helen Topping Architecture and Fine Arts Library, USC
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Reading expressionist architecture: German modernism and 'paper architecture,' 1914-1920
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Noisy modernists:  the sound of narrative experimentation
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Defining a sustainable aesthetic: a new paradigm for architecture
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Russell Forester, F.A.I.A.: “Skin and Bones Architecture” in San Diego
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"Writing our own program": the USC experiment in modern architectural pedagogy, 1930 to 1960
Preserving modernist architecture
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Competing futures: War narratives in postwar Japanese architecture, 1945-1970
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Architectural drawing of the new County Courthouse, 1956
From Googie to great: uncovering truth and beauty in John Lautner's architecture
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Creating sacred spaces in the suburbs: Roman Catholic church architecture in postwar Southern California
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Dancing about architecture: performative interrogations of the body in the built environment
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Three stories of ourselves: architecture’s solution to man’s place within nature as told by Frank Lloyd Wright, Rudolph Schindler and Richard Neutra
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Tapestry and tableau: revival, reproduction, and the marketing of modernism
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Clinton Marr: bringing Modernism to the Inland Empire
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Skin fit and retrofit: challenging the sustainability of curtainwall practice in tall buildings
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A modernist auteur, Edward Yang: The first decade of his film career (1982-1991)
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An analysis of space
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Interpretation of urban design principles in a traditional urban environment: The role of social values in shaping cities
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The Schindler Terrace, an early modern garden: a case for conservation
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A study of characteristic work of certain contemporary architects in the United States.
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Soft walls / hard spaces: an(other) narrative for Eileen Gray’s E.1027
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Bertram Grosvenor Goodhue's military commissions: identity, process, importance and stewardship of these cultural resources
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