Sampling blackness: performing African Americanness in hip-hop theater and performance 

The artists and the art collections of the Los Angeles area before 1900. 

“Each new curl howling a war cry”: Black women, embodiment, and gendered racial formation 

Claiming our space 

LatinX excess: from the Baroque to rasquachismo, tracing a culture of extravagance 

Methods of teaching creative writing to Mexican children of the elementary grades 

Identity re-constructed 

The overlooked Latino middle class: deep roots and continued growth 

A guide for teaching early California history to Mexican children. 

A community on the air: Latino Los Angeles and the rise of Spanish-language TV in the United States, 1960-1990 

Microsoft Word - ARTIST AS REPORTER resubmit2 

Luis Cruz Azaceta: Emigre artist in New York 

Women's liberation rhetoric as logotherapy: A symbolic healing of the female psyche. 

Housing farm workers: assessing the significance of the bracero labor camps in Ventura County 

The enduring romance of the Rancho: Mission Viejo, 1964 to 1967 

A study of social distance between Mexican parents and American teachers in San Bernardino, California 

How the light gets in: sexual misconduct and disclosure in America's music industries 

No experience required: American middle-class families and their cookbooks, 1945-1960 

Borderland visualities: technologies of sight and the production of the nineteenth-century U.S.-Mexico borderlands 

Shadows of stardom: Latina actresses in the 1930's Hollywood produced Spanish language films 

The history of Mexican public education in Los Angeles, 1910-1930 

Hanguk, hip hop: the making of hip hop in South Korea 

Contemporary GrotesQueries: the multifaceted Grotesque as an aesthetic and political strategy of resistance 1968-2008 

The role of perceptions of parental behavior, cultural values conflict and ethnic identity on Mexican American identity development 

Dance/Abolition: how dance can be used as a form of protest and empowerment