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Self-representation, cultural formation, and Mexican-American modernism
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¡Que naco! Border cinema and Mexican migrant audiences
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Echoes of the Mexican voice: bringing history into the digital age (a multi-media website based on a historical collection)
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Tracing a history: an exploration of contemporary Chicano art and artists
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Chican@ artists and Zapatistas walk together asking, listening, learning: the role of transnational informal learning networks in the creation of a better world
Territories of resistance: the impact of the Zapatista Rebellion on artistic practices in Mexico City, 1994-1995
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Art as a political tool: the early feminist production of Mónica Mayer, 1976–1984
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Memories and Bloody Marys: how the Mexican-themed bar La Cita became a cultural crossroads
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The trouble with Radical Women: anti-Blackness, Latinidad, and contemporary curating
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Methods of teaching Mexicans
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"As shelters against the cold": women writers of the Black Arts and Chicano movements, 1965-1978
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By the rivers, I stood and stared into the Sun
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Mejor vida/better life and day-to-day exchanges: Networks of social exchange in contemporary arts practice
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Exporting tears and fantasies of (under) development: popular television genres, globalization and nationalism in Mexico after World War II
Portrait of the young man as an artist
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Poetics of resistance: works by Noé Olivas in conversation with the poems of Gwendolyn Brooks, Pedro Pietri, and Lorna Dee Cervantes
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The artists and the art collections of the Los Angeles area before 1900.
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Immigration to California is vital to survival of indigenous Mexican artisans
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Este lugar si importa: heritage conservation in unincorporated east Los Angeles
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From Chicano therapy to globarriology: Chican@ popular culture and identity in late 20th and early 21st century Los Angeles
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Queer nightlife networks and the art of Rafa Esparza, Sebastian Hernandez, and Gabriela Ruiz
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The Iraq war: legitimizing victim art
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Performative futurity: transmuting the canon through the work of Rafa Esparza
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Dead girls, monsters, and assholes: marginality in the practices of Asco and Marnie Weber in Los Angeles
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The road to Hopscotch: an exploration of identity with Los Angeles' mobile opera
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