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A critcal analysis of four classifications of dance film
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Women who direct films: A survey
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EAffuso-Dissertation-Final
Sound-on-film: John Cage and avant-garde cinema
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Inner and outer nature: The video art of Mathilde Rosier
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How to suppress women’s filmmaking
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Mosaic pilgrim: Maya Deren’s The witch’s cradle as filmic poem, dissociative medium, and fragmented channel facilitating a pilgrimage towards ecstatic awareness through art; and, Mosaic pilgrim: poems
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Elevated: Ballet and culture in the United States, World War II to the National Endowment for the Arts
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One more time: instances, applications, and implications of the replay
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Dark matter in b-boying cyphers: race and global connection in hip hop
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A cinema of anxiety: American experimental film in the realm of art (1965–75)
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And the dead shall walk the earth: Zombies and the politics of death
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Sacred vocabularies for world cinema: transfiguring ancient aural and visual modalities to express sacredness for the contemporary age
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At least half the picture: sound and narration in the postwar / pre-Dolby American film
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Nahui Ollin, “in search of the divine force”: a phyical immersive interactive dance experience
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Microsoft Word - Savci, Evren - Dissertation Draft 2 for Submission to USC Graduate School.docx
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The cine-eye goes digital: Vertov, Paradjanov and the poetic database
Riddles of representation in fantastic media
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