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Automatons and androids: The human figure in art of the electronic age
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From practice to praxis
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Making a modern architecture
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The thousand scenes in one scene:  Edward Gordon Craig's system of mobile screens.
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Conditions for the possibility of knowledge:  Three structures by Sol Lewitt
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Mikhail Matyushin:  Artistic simultaneity in the natural world
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Systemic patterns.
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Art and epic theater in Cold War Germany
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Gabriel thesis final
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Bone fide trier
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Killing culture two: toward an anatomy of cultural transformation in early Soviet Russia, 1920s-1930s
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The blinding instinct
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Fragmented memory: William Olander and the exhibition as criticism
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A cinema of anxiety: American experimental film in the realm of art (1965–75)
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The making of Kazimir Malevich's Black square
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the whole dissertation 7/10/11
Nostalgia for the absolute: Soviet writers in search of transcendence
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How the frame was one
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Embodiments of passing: Vito Acconci's poetics of frequency and Ta(g) A(c)t
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The Buddhist world in modern Russian culture (1873-1919): Literature and visual arts
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A vernacular vanguard: surrealism and the making of American art history
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USC chronicle, vol. 14, no. 27 (1995 Apr. 10)
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