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Art of the possible: a reappraisal of the Eugenia Butler Gallery
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Art on billboard space: Subversive intervention in the city of Los Angeles
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Art discourse, discourse in art (1960-1985).
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Making and unmaking the museum: Tom Marioni and San Francisco conceptual art, 1968-1979
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Cataloguing critique: experimental forms of documentation in American art, 1970-1977
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Mike Kelley: (dis)obedient student
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The Culture Club: Artists Take A Critical Look At American Museums And The Shifting Reign Over Twentieth-Century Aesthetics
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Vanishing point.
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Like an elephant's tail: process and instruction in the work of Michael Rakowitz, Rirkrit Tiravanija and Yoko Ono
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An aesthetic of comprehension: the distribution of American land art and conceptual art in Germany, 1968-1975
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Critical issues of minimal art
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Microsoft Word - 1_Front matter FINAL.doc
Embodiment of text after conceptualism: Language and video in Fast trip, long drop (1993) and Cornered (1988)
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Minimal music: Its evolution as seen in the works of Philip Glass, Steve Reich, Terry Riley and La Monte Young
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Conditions for the possibility of knowledge:  Three structures by Sol Lewitt
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Embodiments of passing: Vito Acconci's poetics of frequency and Ta(g) A(c)t
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