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EAffuso-Dissertation-Final
Partial arts: Poetic obsessions with the fragment
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Microsoft Word - BEQUIET_titlepage.docx
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Hybrid networks and urban spaces in post-socialist Cuba
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Nature is as nature does: recent sustainable artists and the practice of local ecology
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Jean Painlevé's cinematic wildlife, 1924-1946
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Sadness after postmodernism: mood in contemporary fiction
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The body and its "thumbnails": the work of the image in mobile-imaging
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Neighbor plots: the ethics of strangeness in the modern Gothic
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Now. Not now. And now: Toward a feminist critical envisioning of social practice
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Transnational film remakes: time, space, identity
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Technologies of arousal: masturbation, aesthetic education, and the post-Kantian auto-
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Plato's Magnesia and philosophical polities in Magna Graecia
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And the dead shall walk the earth: Zombies and the politics of death
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Moving parts: reconfiguring corporeal difference and the human through organ transplant narratives
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Before Art nouveau: the invention, commercialization, and display of the modern interior in nineteenth-century France
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the whole dissertation 7/10/11
Rethinking feminist cinema: Agnès Varda and filmmaking in the feminine
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From "Saracen scourge" to "terrible Turk": medieval, renaissance, and enlightenment images of the "Other" in the narrative construction of "Europe"
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Accurate image registration through 3D reconstruction
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Surveying the field: the popular origins of art history in nineteenth-century Britain and France
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The gene is out of the bottle: the communication of genetic complexity in direct-to-consumer genetics
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Body. Architecture. Narrative.
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Primal perception: the artist as animal in Nineteenth-Century France
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