A description and examination of the production of The exiles: a film of the actual lives of a group of young American Indians 

Note, Deborah Casher to Japan Travel Bureau, Kyoto Office, May 19, 1993 

Floating signifiers: tracing zainichi Korean identity in postcolonial literature and visual media 

Ideological shifts in portrayals of ethnic gangs and gangsters in New York novels and film adaptations 

MANCHUKUO FILMS.docx 

Certain tendencies in Canadian cinema: temporary insanity and the national tax-shelter masquerade 

Loneliness in Japanese media: empathizing with hidden outcasts in a stagnant society 

Dynamic canons: how the Pulitzer prize, documentary film, and the US Department of State are changing the way we think about jazz 

Carbon nanotube macroelectronics 

Social media best practices for Hollywood films and their applications in China 

S.S. President Hoover passing the Bund in Shanghai, 1937 

Animated subjects: globalization, media, and East Asian cultural imaginaries 

Channeling Shirley MacLaine: stardom, travel, politics, and beyond 

Kazuo Yamaguchi oral history interview, part 4 of 6, May 4, 2003 

Edwin Nakasone oral history interview, part 6 of 6, 2005-06-25 

U.R.S.I. XXIVth General Assembly of the International Union of Radio Science, Kyoto, Japan, August 25-September 2, 1993, First Announcement." 

Jean Painlevé's cinematic wildlife, 1924-1946 

The image of women in Japanese film 

Discovering Japan: Anime and learning Japanese culture 

Co-producing the Asia Pacific: travels in technology, space, time and gender 

Constructing Japaneseness: war, race, and American cinema, 1924-1992 

Paper Print Collection 

Configurations of kinship in the work of Andrei Tarkovsky 

When a story calls: the narrative potential of mobile media 

The death and rebirth of the American romantic comedy