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Ivor Auto Park grease rack, Southern California, 1934 [image 1]
Ivor Auto Park grease rack, Southern California, 1934 [image 2]
A critical study of the implications of the problem of reality in the documentary film
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The philosophy of Aldous Huxley
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The four branches of the Mabinogi as translated by Lady Charlotte Guest
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The isle of Eriska (2017): a tone poem for orchestra
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Elevated: Ballet and culture in the United States, World War II to the National Endowment for the Arts
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Killing culture two: toward an anatomy of cultural transformation in early Soviet Russia, 1920s-1930s
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The reformation of the world: history, revelation, and reform in the antebellum American romance
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Certain tendencies in Canadian cinema: temporary insanity and the national tax-shelter masquerade
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The making of Kazimir Malevich's Black square
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Transatlantic Irish and the racial state
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At least half the picture: sound and narration in the postwar / pre-Dolby American film
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"Give us more music":  women, musical culture, and work in wartime Britain, 1939-1946
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Women readers and the Victorian Jane Austen
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Ivor Auto Park grease rack, Southern California, 1934
Women's International Convention, Church of God in Christ (29th: 1979: Chicago, IL)
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Women's International Convention, Church of God in Christ (38th: 1988: Miami Beach, FL)
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