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Charles Chaplin's "Limelight": A socio-cultural and literary analysis
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Lead man holler: Harry Belafonte and the culture industry
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The peril of acceptance: American Jewry assimilation trends 60 years after the holocaust
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Renewing the people of the book: theory and practice for building Jewish interpretive learning communities
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james-boyda-june29
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Programming the apocalypse: recombinant narrative in cyberspace
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Vietnam War drama 1966-2008: American theatrical responses to the war and its aftermath
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Expressionism multiplied: early twentieth-century German posters between art, commerce, and politics
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William Gibbs McAdoo: the last progressive
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Competing futures: War narratives in postwar Japanese architecture, 1945-1970
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Mapping feminism: representing women's liberation in 1970s popular media
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Révoltes sans témoin: la tracée du marronnage dans la littérature haïtienne
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Art and cultural diplomacy in the international exhibition: documenta 1 and Prospect.1
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The nature of middle-class Latino/a students' cultural capital in a fifth-grade classroom's reading and writing activities
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Impurely raced // purely erased: toward a rhetorical theory of (bi)racial passing
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Dickey Dissertation Complete
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Two visions, two publics: the Jewish Museum and the Skirball Cultural Center
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Carrying the fire home: performing nation, identity, indigenous diaspora and home in the poems, songs, and performances of Arigon Starr, Joy Harjo and Gayle Ross
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FINAL DISSERTATION, FINAL REVISIONS JULY
Faith and community: recovering gang members in Los Angeles
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Elevated: Ballet and culture in the United States, World War II to the National Endowment for the Arts
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