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Allison Wolfe: the personal is political
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Dig down real deep and together we can wind up right back on the surface
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Empty threats: the collision of aesthetic, industrial, and revolutionary imperatives in montage
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A taste for trash: the persistence of exploitation in American cinema, 1960-1975
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Medusan optics: film, feminism, and the forbidden image
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Making art public: mobilizing public art through technology
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