Useful dangers: the erotics of form, sadomasochism, Victorian narrative
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American braves - total aesthetics: an opinion piece on game design for academics
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Interpretation of Yangshao floral art from the contemporary female perspective; Redesign of Yangshao floral patterns
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Aquariyum! Designing an organic asynchronous gameplay experience
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01_Murphy_Dis_Total_052517_Submittal_Final
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Dead girls, monsters, and assholes: marginality in the practices of Asco and Marnie Weber in Los Angeles
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Dissertation File_Final.pdf
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Revenge of the fanboy: convergence culture and the politics of incorporation
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Unmasking abject male bodies and China's corporal dystopias: violent masculinity and body horror in Jia Zhangke's A touch of sin
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Declarations of independence: film and the American mythology
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Tentacular sex: Gender, race, and science in American speculative fiction
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Science, fiction, and film: A study of the interaction of science, science fiction literature, and the growth of cinema.
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Performing excess: the politics of identity in La Chica Boom
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The rhetorical constitution of Nigeria: An examination of the inaugural and ascension speeches of Nigeria's elected and military heads of state, 1960-1985
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Gossip, letters, phones:  The scandal of female networks in film and literature
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A historical-critical study of the films of Richard Brooks: With special attention to his problems of achieving and maintaining final decision-control
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Designing a personal narrative through collaged mass-market images: traditional collage and digital collage
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Attitudes and reactions to nulcear weapons: Responses to fear arousal
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Infrastructures of the imagination: building new worlds in media, art, & design
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More lives to live?: archiving and repurposing the daytime soap opera
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Magic and media: the critical concept of telepathy (1918-1939)
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Object unveiled: Midday as Manuport
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The vicissitudes of postnational affects: visuality, temporality, and corporeality in global east Asian films
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Visual pleasure and the masochistic aesthetic: The Von Sternberg/Dietrich Paramount cycle.
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