Queer nightlife networks and the art of Rafa Esparza, Sebastian Hernandez, and Gabriela Ruiz
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Perceptions of equality and inequality by people in both dominant and subordinate social locations
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Playing dirty: analyzing the images of the tabloid journalists in the complete first season of the FX network series "Dirt"
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Scalable evacuation routing in dynamic environments
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From Ramona to the Brady Bunch: assessing the historical significance of sites used in movies and television shows
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60 years of magic: an in-depth look at Disneyland’s use of public relations strategies
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Freeway pollution near LAUSD schools
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The little Skingin that could: an autobiographical, affirmative look at Native American off-reservation boarding schools between 1970 and 1980
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The child who comes to school in dirty clothes and his use of social casework service
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Immersive Shakespeare: locating early modern immersion in contemporary adaptations
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Processing the dynamicity of events in language
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Black, Muslim, and gay/queer male allies: an intersectional analysis of men’s gender justice activism
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Between agency and exhaustion: Indian Anglophone literature and the neoliberal subject
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Backward: queer rurality in American popular culture from 1920 to the present
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Corporate social responsibility strategies, standards and consumer awareness in the jewelry industry: what does it mean to be socially responsible in the jewelry industry? A specific look into pr...
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Enabling spatial-visual search for geospatial image databases
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Subjectivity, commitments and degrees: on Mandarin hen
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Good hosts as ideal citizens: crafting identity on Isla de Mujeres
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Special report: the freeway -- will it or won't it be built?, 1977-05-17
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From land art to social practice: environmental art projects by Helen Mayer Harrison and Newton Harrison, Bonnie Ora Sherk, Mel Chin, Fritz Haeg, and Fallen Fruit
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Why Harry met Sally: coupling narratives and the Christian-Jewish love story
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Civic engagement: a case study of civic leadership in partnering with an urban public school district
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Community engaged art: no longer a form of resistance?
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Early life story of Naomi Ouzounian, 1982
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Gaps of knowledge
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