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At least half the picture: sound and narration in the postwar / pre-Dolby American film
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Routine adjustments:  Re-viewing women's TV comedy genres, 1950--1969
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The beginnings of gay cinema in Los Angeles: The industry and the audience.
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Peace, love and soul:  70s television and black public space
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Symbols, myth and TV in Hawai'i:  "Hawaiian Eye", "Five-O" and "Magnum P.I.". The first cycle
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When a story calls: the narrative potential of mobile media
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An exploratory study of the “observation format” in transnational Korean and Chinese reality television
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Art on television: 1967-1976
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Shake your assets: dance and the performance of Latina sexuality in Hollywood film
Looking for the beast: Realism as avant-garde
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Meyer Oshvitzie: A screenplay
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History and implications of the use of electronic techniques in cinema
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More lives to live?: archiving and repurposing the daytime soap opera
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Between local and global:  The Hong Kong Film Syndrome in South Korea
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Lead man holler: Harry Belafonte and the culture industry
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Mapping feminism: representing women's liberation in 1970s popular media
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The Hollywood left: cinematic art and activism in the 1930s
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Mediating Hispanidad: screening the Hispanic-Atlantic imaginary
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Japan in transnational Hollywood: industry and identity, 1985-1995
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Lesbianscape of Taiwan: media history of Taiwan's lesbians
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Regional film: A resistance to cultural dominance
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Meetings with the mother: The maternal and spectatorial pleasure in film
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The Lucas Effect:  George Lucas and the New Hollywood
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Co-producing the Asia Pacific: travels in technology, space, time and gender
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The history of documentary in Africa -- The Colonial era
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