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A vernacular vanguard: surrealism and the making of American art history
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I might end up a right-winger: writing counterpublics for the eighties
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Tapestry and tableau: revival, reproduction, and the marketing of modernism
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Pellissier Building, Los Angeles, CA, 1931 [image 2]
Abstract painting
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Ideological threat, social identity, and consensus estimation
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On the configuration of height features
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Beyond cultural:  Global approach in visual art
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Critical issues of minimal art
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What happened to critical criticism? Art criticism expressing a negative opinion seems to be a dying breed, but this is how we save it from extinction – for we must
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Effects of threat and self-focus on consensual bias in majorities
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Ellipses
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EAffuso-Dissertation-Final
In the flesh: the representation of burlesque theatre in American art and visual culture
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Boris Margo:  Art without polemics
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Sculpture today
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The effects of self-observation on the social behavior of hyperactive children
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The multidisciplinary world of Michelle Mary Lee
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Designing a personal narrative through collaged mass-market images: traditional collage and digital collage
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"Ripeness is all": Orson Welles and the cultural moment
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The multivalent platforms of alternative art publications as agents of authentic cultural change
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The making of Kazimir Malevich's Black square
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From practice to praxis
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The paradox of realism and the construction of modernity in the work of Gustav Caillebotte and Thomas Eakins.
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Why culture matters: a case study to determine the promising practices in the prevention of bullying in K‐12 schools
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