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Co-producing the Asia Pacific: travels in technology, space, time and gender
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From the extraordinary to the everyday: fan culture’s impact on the transition of Chinese post-cinema in the first twenty years of the twenty-first century
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The British invasion of American television
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Emergent media technologies and the production of new urban spaces
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GM TV: sports television and the managerial turn
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Transnational modernity, national identity, and South Korean melodrama (1945-1960s)
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The new generation on screen: youth cinema and youth culture in South Korea since the 1990s
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Mr. Japan goes to Tinseltown: A study of the film business between the United States and Japan or, How Japan learned to stop making films and love Hollywood
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Midnight sun
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Politics and the primal eye: Four films by Werner Herzog
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Transnational film remakes: time, space, identity
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A history and analysis of the decline of the roadshow mode of motion picture exhibition, 1965-1975
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A proposal for the production, marketing and distribution of a dramatic television series "The devil's playground"
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At least half the picture: sound and narration in the postwar / pre-Dolby American film
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Declarations of independence: film and the American mythology
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When a story calls: the narrative potential of mobile media
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Shake your assets: dance and the performance of Latina sexuality in Hollywood film
Mapping feminism: representing women's liberation in 1970s popular media
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An exploratory study of the “observation format” in transnational Korean and Chinese reality television
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Eugene Onegin
Over the block
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Power party girls, good looking crowds and one hellish boss: The portrayal of the female entertainment publicist on reality television
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The Hollywood left: cinematic art and activism in the 1930s
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Social media, reality television, and the contemporary performance of self
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Divided attention
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