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Chinese folk dance performances in the United States: opportunities and challenges faced by PR professionals
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Dominant language influence in acquisition and attrition of the Chinese reflexive ziji By Chinese-English bilinguals
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Prospering in resistance: the performance art of Zhang Huan from the 1990s to 2000s
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Chinese dragon in a parade, ca.1900
"The ox as one-man-band of the visual arts." [Caption on mount]. - "Performing bull. 185." [Caption on image].
Totality: theory, practice, and pedagogy in Qiu Zhijie’s “Total Art”
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Chinese dragon in a parade, ca.1900
Chinese male actors in costume, ca.1900
Gender, family, and Chinese nation: ""leftover women,"" ""foreign f women,"" and ""second wives""
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Discourse particles in Mandarin Chinese
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Factory 798: an everchanging microcosm of contemporary Chinese culture
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African boys and girls performing a show, Nwapulane, Mozambique, 1933
African boys and girls performing a show, Nwapulane, Mozambique, 1933
African boys and girls performing a show, Nwapulane, Mozambique, 1933
From the extraordinary to the everyday: fan culture’s impact on the transition of Chinese post-cinema in the first twenty years of the twenty-first century
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ID × beauty: the intersection of design, beauty, and our performative identities
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Chinese dragon head close-up, Los Angeles, ca.1900
Surviving the "Made in China" stigma: challenges for Chinese multinational corporations
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Preparing students for the 21st century labor market through liberal arts education at a Chinese joint venture university
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Men who man the Chinese Dragon for La Fiesta de Los Angeles standing beside it, ca.1900-1908
Young Chinese entrepreneurs
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An exploratory study of the “observation format” in transnational Korean and Chinese reality television
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Chinese government’s role in crisis management: case studies of three major crises in recent years
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Children from the Los Angeles Orphan Asylum at Grauman's Chinese Theatre, 1929
An old art in a new home: Beijing Opera in Los Angeles
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