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The traces of Jacques Derrida's cinema
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Cinema verite.  A descriptive study
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A new American cinema
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Rethinking feminist cinema: Agnès Varda and filmmaking in the feminine
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Deadly deviations, subversive cinema: the influence of Hollywood film noir on the French new wave
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Screenwriting double function of anonymity for female authors in Hollywood and critical issues of authorship in cinema: two screenplay case studies: Grace of my heart and Edward Scissorhands
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Locating the microcinema: Echo Park Film Center, Light Industry, and Other Cinema
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Mr. Japan goes to Tinseltown: A study of the film business between the United States and Japan or, How Japan learned to stop making films and love Hollywood
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The films of Jacques Tati
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Edgar G. Ulmer's 'Ruthless': An IDHEC film explication
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A Critical Study Of The Filmmaking Style Of Milos Forman With Special Emphasis On His Contribution To Film Comedy
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The childhood-community interface in four Francois Truffaut films
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George Roy Hill: Study of an American director
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Religious motifs in John Ford's sound films
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Man on a tightrope: The dark vision of Bob Fosse
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The use of ritual as a primary element in the films of John Ford.
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A Critical Study Of The Film Musicals Of Vincente Minnelli
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An annotated list of one hundred short stories as challenges for student films
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Robert Redford and the American West
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Les trois visages de Roger Martin du Gard: Le romancier, le dramaturge, l'homme: Une etude des contrastes de contenu et de style dans les romans, pieces de theâtre et les ecrits personnels ...
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Women showrunners: authorship, identity and representation in US television
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Jacques Prevert: Poetic elements in his scripts and cinematic elements in his poetry
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How to suppress women’s filmmaking
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Maurice Barres, critique de la poesie contemporaine
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Le "Journal" De Maine De Biran. (French Text)
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