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A cinema under the palms: the unruly lives of colonial educational films in British Malaya
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The history of documentary in Africa -- The Colonial era
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Cinema 4.5? Legacies of third cinema at the age of informational capitalism
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Yellow Hollywood: Asian martial arts in U.S. global cinema
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Contemporary European cinema in a transnational perspective: aftereffects of 1989
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Certain tendencies in Canadian cinema: temporary insanity and the national tax-shelter masquerade
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A comparative survey of the training in cinema offered by selected educational institutions in the United States and other countries
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Transnational modernity, national identity, and South Korean melodrama (1945-1960s)
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Writing and filming the subaltern:  Gender, history and post-colonialism
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Speaking for Taiwanese history, culture and past: Hou Hsaio-Hsien's "Taiwan Trilogy"
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Projected coevalness and post-colonial tourism: the persistence of cultural hierarchy in contemporary Japanese-Taiwanese film
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Between local and global:  The Hong Kong Film Syndrome in South Korea
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Politics and the primal eye: Four films by Werner Herzog
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Televising Toronto from Hogtown to megacity
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Mediating Hispanidad: screening the Hispanic-Atlantic imaginary
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Between local and global: the Hong Kong film syndrome in South Korea
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Ernst Lubitsch, a continental dreamer out of his time
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Special cultural zones: provincializing global media in neoliberal China
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A historical and analytical study of the French unit at the National Film Board of Canada (1939-1980)
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Eat me: cannibalism and melancholia
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A critical-historical account of the planning, production, and release of 'Citizen Kane'
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Symbols, myth and TV in Hawai'i:  "Hawaiian Eye", "Five-O" and "Magnum P.I.". The first cycle
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Looking for the beast: Realism as avant-garde
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Smuts-- of South Africa
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Development of the screenplay for a historical feature picture
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