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In Her Own Image
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An Analysis Of Technical And Liturgical Aspects Of Lighting In Sacred Christian Spaces
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The "chitarra spagnola" and Italian monody, 1589 to circa 1650
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Vaastu-Shilpa Shastra
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Perpetual misunderstanding: Paul Thek in the nineties
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The challenge of beleiveing a lie
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Self-surf:  Interpenetration and the droning of the mass mind
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Sculpture today
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Dvorak's "Stabat Mater":  A conductor's guide
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The Baroque oratorio Passion:  A conductor's guide to compositional techniques and their foundations
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A study and performance of two choral/orchestral works of the late twentieth century:  Morten Lauridsen's "Lux Aeterna" [and] James F. Hopkins' "Songs of Eternity"
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The Magnificat in D Major, BWV 243 by Johann Sebastian Bach: A study in performance and analysis
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The Concerto For Organ And Orchestra
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A Study Of Ornaments In American Tune Books, 1760-1800
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Eighteenth Century String Chamber Music, Selected For Use In The Trainingof School Instrumentalists
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A Study Of The Natural Trumpet And Its Modern Counterpart
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A History Of Brass Instruments, Their Usage, Music, And Performance Practices In Ensembles During The Baroque Era
Visual Arts In Graduate Music History Studies
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I:  William Lawes:  His Life And Works. Ii:  Select Consort Music
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The Balzac Book Of Ernst Robert Curtis
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The Poetic Styles Of Miguel De Barrios
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Sixty Years Of Clarinet Chamber Music:  A Survey Of Music Employing Clarinet With Stringed Instruments Composed 1900-1960 For Two To Five Performers
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Teaching The History Of Western Music Through Instrumental Performance Inthe Secondary School
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The Four-Part Through Seven-Part Sacrae Symphoniae Collected And Published In 1600 By Caspar Hassler
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The German Baroque Church Cantata And Its Use In Twentieth Century Corporate Worship
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