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Instrumental music at independent (private) preparatory schools: Attitudes and expectations of administrators, members of the board, parents, and faculty including instrumental music teachers
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Music without instruments: The growth and explosion of a cappella music over the last 10 to 15 years
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Eighteenth Century String Chamber Music, Selected For Use In The Trainingof School Instrumentalists
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A History Of The Western Division Of The Music Educators National Conference
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Development Of The Symphony Orchestra In Higher Education
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Subject Matter Testing Practices In State University Music Education Curricula
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Some Personality And Temperament Characteristics Of Selected School Musicteachers
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Junior High School Size
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The Development Of Choral Music In Higher Education
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Musical Content:  The Basis Of High School Music Teaching (Parts I And Ii)
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The Training, Experience, And Present Position Of The Woodwind Instructorin Higher Education
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Pope Saint Pius X And The Vatican Edition Of The Chant Books
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Music Education In Newly Unified School Districts Of California:  A Resource For Unification Planning
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Choral Music Repertoire Performed By Selected Colleges And Universities
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An Analysis Of The Music Curricula Of Selected Church-Related Colleges Incalifornia
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The Music Of Twentieth-Century Lutheran Hymnody In America
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Teaching The History Of Western Music Through Instrumental Performance Inthe Secondary School
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The Hymn Tune Tradition Of The General Conference Mennonite Church
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Traditions Of Protestant Hymnody And The Use Of Music In The Methodist And Baptist Churches Of Mexico
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The 'Geistliches Gesangbuechlein' Of Johann Walter And Its Historical Environment
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An Analysis Of The Educational Features Of Eleven Recently Constructed (1959-1967) California Junior High Schools
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The Singing School And Shaped-Note Tradition:  Residuals In Twentieth-Century American Hymnody
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CHORAL SETTINGS OF THE MAGNIFICAT BY SELECTED TWENTIETH CENTURY AMERICAN COMPOSERS.
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Composition, Performance, And Discussion Of Dialogues For Christmas And Easter Worship. (Part I:  Text. Part Ii:  Original Compositions)
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The Sacred Cantata 'God Hath Awakened The Lord,' By Carl Philipp Emanuel Bach, In Relation To Its Performance. (Volumes I And Ii)
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