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The development of Russian piano music as seen in the literature of Mussorgsky, Rachmaninov, Scriabin and Prokofiev
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The opportunities of theatre production in the correlation of the arts.
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Mikhail Matyushin:  Artistic simultaneity in the natural world
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Sergei Prokofieff and symphonic forms: A comparative musical analysis of four typical compositions by Prokofieff representative of four musical forms; the concerto, sonata, cantata and suite
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Aram Khachaturian and the Soviet creative artist
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Representing the unnarratable: “feminist terrorism” and the problem of realism in the novel
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Arnold Schoenberg's prelude from the Suite for Piano, op. 25: from composition with twelve tones to the twelve-tone method
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Karol Szymanowski and his Stabat Mater
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Scriabin in Russian musicology and its background in Russian intellectual history
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