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The public diplomacy of emerging powers, part 1: the case of Turkey, 2016
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Art on billboard space: Subversive intervention in the city of Los Angeles
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Mejor vida/better life and day-to-day exchanges: Networks of social exchange in contemporary arts practice
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Connected: information and state power between the United States and South Africa
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Embodiment of text after conceptualism: Language and video in Fast trip, long drop (1993) and Cornered (1988)
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How is an undergraduate engineering program uniquely positioned to create a diverse workforce through the recruitment of African American students? A faculty perspective
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Quasi-independent films: an adaptation of Chinese independent films
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Flights of the imagination: Black American travelers journey toward "Africa" in Ghana and Bahia, Brazil
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Community engaged art: no longer a form of resistance?
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Microsoft Word - $ASQ113792_supp_undefined_87D1B1DE-F0B1-11E0-B510-CC3AD352ABB1.docx
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Beyond regulation: special improvement districts, design review, and place-making in New Jersey
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David Ward-Steinman and his oratorio The Song of Moses: an appreciation and analysis
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Performing the collective
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High performing schools in high risk environments: a study on leadership, school safety, and student achievement at two urban middle schools in Los Angeles County
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"Necessity knows no law": artist-run spaces & the spatial politics of Tijuana's public domain
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Contemporary art and "post-black" identity politics
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Mediating sand and sea: video landscapes by Israeli women artists
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Spatial approaches to reducing error in geocoded data
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Artistic intervention in the Los Angeles urban geography: the art practices of Charles Long, Harry Dodge and Stanya Kahn
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