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What is the Mozambican Culture? Young men and women who took part in FRELIMO's Cultural Seminar dancing at the All African Trade Fair in Nairobi. Frelimo's first cultural seminar A very important event in our liberation struggle was, at the beginning of this year the holding of a Cultural Seminar in one of the FRELIMO educational centres. The seminar lasted more than 3 weeks, from 30th December, 1971, to 21st January, 1972. Delegates from all educational centres in Cabo Delgado, Niassa and Tete participated. The main objectives of the seminar were to make an inventory of the cultural wealth - traditional and revolutionary - of our people, and to establish rules of orientation in cultural activities. The work of the seminar centred around three basic questions: What is the Mozambican Culture? What has our expression of culture been in the past and what must be preserved from that traditional culture? How can we develop our culture? The following commission were created: - Commission on dance and songs — Commission on drama and poetry Commission on other cultural subjects. The first commission made a selection of the FRELIMO songs and issued suggestions on the contents of new songs. It recommended also that ways must be found for the Mozambican dances to retain their local tone but remain integrated within the context of the Mozambican nation. The commission on Drama and Poetry was entrusted with the task of studying the technical ways to present staged dramas as well as the ideas they present. Several dramas written by FRELIMO militants were discussed, namely: «Monoma- tapa», which tells the story of the great Empire that existed in Central Mozambique from the twelfth to the eighteenth centuries; «The Teacher Who Did Not Prepare His Lessons» — a satire about irresponsible teachers who improvise their lessons in class with clear disadvantages for the students; «The Witchdoctor» - exposing the evils of superstition and the real motivations of the witchdoctor; and «3rd of February» — presenting important moments in the life of Comrade Mondlane, the first President of FRELIMO. The comrades of this commission also made a collection of poems written by FRELIMO militants, and gave technical orientations on how to read and write poetry. The third commission made research on other cultural activities, namely sculpture, plastic arts, painting, drawing, journalism, legends, children's plays, photos. It also studied problems such as marriage, initiation rites, production, forms of dress, etc. Other important topics in the discussions were the role of women in the cultural activities, and how the old people can contribute to preserve the positive aspects of the traditional culture. In the children's camp there was an exhibition of toys made by the children themselves. 15
Object Description
Title | Mozambique revolution, no. 50 (1972 Jan.-Mar.) (copy 2) |
Description | Contents: Editorial - Building up victory (p. 1); On the 3rd anniversary of the assassination of FRELIMO's first president - Nothing can stop what Mondlane began (p. 3); Tanzania's tribute to Mondlane (p. 4); War communique (p. 5); After the massacres of Mukumbura - A victim's relatives join the struggle - A priest describes Portuguese butchery (p. 9); Interview with a Portuguese prisioner (p.11); FRELIMO at the Security Council (p.13); What is the Mozambican culture? FRELIMO's first cultural seminar (p.15); Angola's National Day - Statement on the 4th february (p.16); Visitors in free Mozambique - Chinese guests praise FRELIMO's success; FRELIMO and the people are one (p.17); FRELIMO at the all Africa fair (p. 20); $435,000,000 - Nixon's investment in Portuguese colonialism (p. 22). This version has a different cover. |
Subject (lcsh) |
Nationalism -- Mozambique Self-determination, National Mozambique -- History Portugal -- Politics and government -- 1933-1974 |
Geographic Subject (Country) | Mozambique |
Geographic Subject (Continent) | Africa |
Geographic Coordinates | -18.6696821,35.5273470 |
Coverage date | 1951/1972-01 |
Creator | Mozambique Liberation Front (FRELIMO) |
Publisher (of the Original Version) | Mozambique Liberation Front (FRELIMO). Department of Information |
Place of Publication (of the Origianal Version) | Dar Es Salaam, U.R. of Tanzania |
Publisher (of the Digital Version) | University of Southern California. Libraries |
Date issued | 1972-01/1972-03 |
Type |
texts images |
Format | 28 p. |
Format (aat) | newsletters |
Language | English |
Contributing entity | University of Southern California |
Part of collection | Emerging Nationalism in Portuguese Africa, 1959-1965 |
Part of subcollection | Mozambique Collection |
Rights | The University of Southern California has licensed the rights to this material from the Aluka initiative of Ithaka Harbors, Inc., a non-profit Delaware corporation whose address is 151 East 61st Street, New York, NY 10021 |
Physical access | Original archive is at the Boeckmann Center for Iberian and Latin American Studies. Send requests to address or e-mail given. Phone (213) 821-2366; fax (213) 740-2343. |
Repository Name | USC Libraries Special Collections |
Repository Address | Doheny Memorial Library, Los Angeles, CA 90089-0189 |
Repository Email | specol@usc.edu |
Filename | CENPA-353 |
Description
Title | CENPA-353~17 |
Filename | CENPA-353~17.tiff |
Full text | What is the Mozambican Culture? Young men and women who took part in FRELIMO's Cultural Seminar dancing at the All African Trade Fair in Nairobi. Frelimo's first cultural seminar A very important event in our liberation struggle was, at the beginning of this year the holding of a Cultural Seminar in one of the FRELIMO educational centres. The seminar lasted more than 3 weeks, from 30th December, 1971, to 21st January, 1972. Delegates from all educational centres in Cabo Delgado, Niassa and Tete participated. The main objectives of the seminar were to make an inventory of the cultural wealth - traditional and revolutionary - of our people, and to establish rules of orientation in cultural activities. The work of the seminar centred around three basic questions: What is the Mozambican Culture? What has our expression of culture been in the past and what must be preserved from that traditional culture? How can we develop our culture? The following commission were created: - Commission on dance and songs — Commission on drama and poetry Commission on other cultural subjects. The first commission made a selection of the FRELIMO songs and issued suggestions on the contents of new songs. It recommended also that ways must be found for the Mozambican dances to retain their local tone but remain integrated within the context of the Mozambican nation. The commission on Drama and Poetry was entrusted with the task of studying the technical ways to present staged dramas as well as the ideas they present. Several dramas written by FRELIMO militants were discussed, namely: «Monoma- tapa», which tells the story of the great Empire that existed in Central Mozambique from the twelfth to the eighteenth centuries; «The Teacher Who Did Not Prepare His Lessons» — a satire about irresponsible teachers who improvise their lessons in class with clear disadvantages for the students; «The Witchdoctor» - exposing the evils of superstition and the real motivations of the witchdoctor; and «3rd of February» — presenting important moments in the life of Comrade Mondlane, the first President of FRELIMO. The comrades of this commission also made a collection of poems written by FRELIMO militants, and gave technical orientations on how to read and write poetry. The third commission made research on other cultural activities, namely sculpture, plastic arts, painting, drawing, journalism, legends, children's plays, photos. It also studied problems such as marriage, initiation rites, production, forms of dress, etc. Other important topics in the discussions were the role of women in the cultural activities, and how the old people can contribute to preserve the positive aspects of the traditional culture. In the children's camp there was an exhibition of toys made by the children themselves. 15 |
Archival file | Volume23/CENPA-353~17.tiff |