28
conversation that has ten exchanges of dialog; which is long enough to feel like a real
conversation. At the same time, short enough in terms of gameplay to encourage multiple
play troughs. With more time, I would want to include two more phone conversations:
one with the protagonist's best friend and one final conversation with the girlfriend. The
narrative objective is for the protagonist to go from being an oblivious slacker to
acknowledging that he needs to change his life style in order to better himself.
Conclusion
Type Set introduced interactive typography that is easily-accessible to a non-design
audience. By analyzing the formal elements of kinetic typography and translating
those elements so that they work in an interactive environment.
As
I
have
mentioned
in
this
paper,
typography
can
function
in
a
variety
of
ways,
from
a
neutral,
almost
inconspicuous
manner
of
delivering
content
and
information
to
a
kinetic,
behavioral
vehicle
of
rich
meaning.
Reading
is
not
the
only
way
to
get
meaning
from
text,
because
the
formal
aspects
of
type
like
shape,
size,
color,
as
well
as
the
placing
of
text
in
a
space,
can
create
or
change
the
meaning
of
a
word.
When
the
player’s
actions
have
an
affect
on
the
overall
experience,
the
player
gains
a
sense
of
ownership
towards
his/her
creation,
and
having
a
system
react
based
on
what
he/she
has
created,
can
make
for
an
incredibly
engaging
experience.