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191
---. Sister Outsider. California: The Crossing Press, 1984.
MacDonald, A. P. “Black Power.” The Journal of Negro Education, Vol.
44, No. 4. (Autumn, 1975): 547-554.
Madhubuti, Haki. “Re-Act for Action (for brother H. Rap Brown)”. Ed.
Gloria House, Rosemary Weatherston and Albert M. Ward. A Different
Image: The Legacy of Broadside Press, an Anthology. Detroit: University
of Detroit Mercy Press/ Broadside Press, 2004.
Madsen, Deborah L. Understanding Contemporary Chicana Literature.
Columbia: University of South Carolina Press, 2000.
Malcolm X. Official Website. May 2007.
http://www.cmgworldwide.com/historic/malcolm/about/eulogy.htm.
Marable, Manning. The Great Wells of Democracy. New York: Basic
Civitas, 2002.
Maeda, Daryl J. “Black Panthers, Red Guards, and Chinamen:
Constructing Asian American Identity through Performing Blackness,
1969-1972.” American Quarterly, Vol. 57, No. 4 (December 2005): 1079-
1103.
McBride, Dwight A. Impossible Witnesses: Truth, Abolitionism, and Slave
Testimony. New York: New York University Press, 2001.
McKenna, Teresa. Migrant Song: Politics and Process in Contemporary
Chicano Literature. Austin: University of Texas Press, 1997.
McWilliams, Carey. Southern California: An Island on the Land. Utah:
Peregrine Smith Books, 1973.
Moraga, Cherríe. The Last Generation. Boston: South End Press, 1993.
---. Loving in the War Years . Boston: South End Press, 2000.
Moraga, Cherríe and Gloria Anzaldúa eds. This Bridge Called My Back;
Writings by radical Women of Color. New York: Kitchen table Press, 1983.
Morrison, Toni. Playing in the Dark: Whiteness and the Literary
Imagination. New York; Random House, 1993.
Object Description
| Title | "As shelters against the cold": women writers of the Black Arts and Chicano movements, 1965-1978 |
| Author | Ryder, Ulli Kira |
| Author email | uryder@usc.edu; uryder@gmail.com |
| Degree | Doctor of Philosophy |
| Document type | Dissertation |
| Degree program | American Studies & Ethnicity |
| School | College of Letters, Arts and Sciences |
| Date defended/completed | 2008-08-27 |
| Date submitted | 2008 |
| Restricted until | Restricted until 27 October 2010. |
| Date published | 2010-10-27 |
| Advisor (committee chair) | McKenna, Teresa |
| Advisor (committee member) |
Sanchez, George J. Johnson, Dana |
| Abstract | This dissertation examines the work of women writers in the Black Arts and Chicano movements during the years 1965-1978. I argue that understanding the intersectional nature of the women's experiences is crucial for understanding their literary output. Further, I argue that Chicanas and African American women of this era challenged homogenous notions of community and racial identity and that we can trace the development of the Third World feminism and multiculturalism that came to the fore in the 1980s to this earlier period. Thus, this study also impacts the way we conceptualize identity formation and the creation of the literary canon. Investigating the ways in which these women integrated nationalist and feminist rhetoric and activism in their work is crucial for a full understanding of this critical period in U.S. history. At stake is an understanding of how Chicana and African American women in the United States have formed identities and communities; struggled for liberation and equality; and become part of the U.S. literary canon. |
| Keyword | Black Power; Black Arts movement; Chicano movement; civil rights; racial identity formation; womanism; borderlands theory; feminism; Third World feminism; nationalism; intersectionality |
| Geographic subject (country) | USA |
| Coverage date | 1965/1978 |
| Language | English |
| Part of collection | University of Southern California dissertations and theses |
| Publisher (of the original version) | University of Southern California |
| Place of publication (of the original version) | Los Angeles, California |
| Publisher (of the digital version) | University of Southern California. Libraries |
| Provenance | Electronically uploaded by the author |
| Type | texts |
| Legacy record ID | usctheses-m1698 |
| Contributing entity | University of Southern California |
| Rights | Ryder, Ulli Kira |
| Repository name | Libraries, University of Southern California |
| Repository address | Los Angeles, California |
| Repository email | cisadmin@lib.usc.edu |
| Filename | etd-Ryder-2415 |
| Archival file | uscthesesreloadpub_Volume40/etd-Ryder-2415.pdf |
Description
| Title | Page 196 |
| Contributing entity | University of Southern California |
| Repository email | cisadmin@lib.usc.edu |
| Full text | 191 ---. Sister Outsider. California: The Crossing Press, 1984. MacDonald, A. P. “Black Power.” The Journal of Negro Education, Vol. 44, No. 4. (Autumn, 1975): 547-554. Madhubuti, Haki. “Re-Act for Action (for brother H. Rap Brown)”. Ed. Gloria House, Rosemary Weatherston and Albert M. Ward. A Different Image: The Legacy of Broadside Press, an Anthology. Detroit: University of Detroit Mercy Press/ Broadside Press, 2004. Madsen, Deborah L. Understanding Contemporary Chicana Literature. Columbia: University of South Carolina Press, 2000. Malcolm X. Official Website. May 2007. http://www.cmgworldwide.com/historic/malcolm/about/eulogy.htm. Marable, Manning. The Great Wells of Democracy. New York: Basic Civitas, 2002. Maeda, Daryl J. “Black Panthers, Red Guards, and Chinamen: Constructing Asian American Identity through Performing Blackness, 1969-1972.” American Quarterly, Vol. 57, No. 4 (December 2005): 1079- 1103. McBride, Dwight A. Impossible Witnesses: Truth, Abolitionism, and Slave Testimony. New York: New York University Press, 2001. McKenna, Teresa. Migrant Song: Politics and Process in Contemporary Chicano Literature. Austin: University of Texas Press, 1997. McWilliams, Carey. Southern California: An Island on the Land. Utah: Peregrine Smith Books, 1973. Moraga, Cherríe. The Last Generation. Boston: South End Press, 1993. ---. Loving in the War Years . Boston: South End Press, 2000. Moraga, Cherríe and Gloria Anzaldúa eds. This Bridge Called My Back; Writings by radical Women of Color. New York: Kitchen table Press, 1983. Morrison, Toni. Playing in the Dark: Whiteness and the Literary Imagination. New York; Random House, 1993. |
