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ANTIPODES OF ASIAN AMERICAN LITERATURE:
HETEROLINGUALISM AND THE ASIAN AMERICAS
by
Michelle Har Kim
A Dissertation Presented to the
FACULTY OF THE USC GRADUATE SCHOOL
UNIVERSITY OF SOUTHERN CALIFORNIA
In Partial Fulfillment of the
Requirements for the Degree
DOCTOR OF PHILOSOPHY
(COMPARATIVE LITERATURE)
May 2012
Copyright 2012 Michelle Har Kim
Object Description
| Title | Antipodes of Asian American literature: heterolingualism and the Asian Americas |
| Author | Kim, Michelle Har |
| Author email | michelleharkim@gmail.com;kimmiche@usc.edu |
| Degree | Doctor of Philosophy |
| Document type | Dissertation |
| Degree program | Comparative Literature |
| School | College of Letters, Arts And Sciences |
| Date defended/completed | 2012-02-22 |
| Date submitted | 2012-04-24 |
| Date approved | 2012-04-24 |
| Restricted until | 2012-04-24 |
| Date published | 2012-04-24 |
| Advisor (committee chair) | Lippit, Akira Mizuta |
| Advisor (committee member) |
Lloyd, David Nguyen, Viet Thanh Giorgi, Gabriel |
| Abstract | This dissertation frames a series of Asian American texts that are written in Spanish and/or that cite Asian diasporic lives in South America, and investigates the ways in which they challenge the implicit singularities of North America and the English language as premiere locales for Asian American literature. For critics of traditionally Anglophone Asian American literature and its putatively organic emergence within the geo-cultural boundaries of North America, the “foreignness” and potential confusions introduced by these texts’ castellano and invocations of Asian American Others allow for readings that do not gravitate toward representations of the exceptional Asian American who manages (or fails) to accede to voice as a dissonantly singular individual, citizen-subject or cultural hybrid. The trope of “coming-to-voice” need not be a compulsory crucible for, but rather a point of view of, subjectivation within Asian American literatures. Due to the wider and more discrepant ranges of scholarship necessary to make sense (and nonsense) of the Asian Americas and its unwieldy linguistic, historical, and cultural terrain, a purview of “the entire hemisphere from the Yukon to Patagonia,” as Kirsten Silva Gruesz puts it, is well equipped to identify not only Asian American literature’s originary axioms of U.S. and North American exceptionalism, but also its Anglophonicity and prioritization of the liberal subject who steers herself toward individual self-awareness. ❧ Rather than assimilate the authors investigated here—Anna Kazumi Stahl, José Watanabe, Siu Kam Wen, Julia Wong Kcomt, Joan Didion, and Pedro Shimose, among others—as exemplary writers of an Asian Latin American hybrid individuality that iterates a dual-culture or dual-world schema, this project tracks the palpable foreignness and conspicuousness of language in their writings. Drawing in particular upon the philosophy of Gilles Deleuze, it reckons with Asian American texts as muddled fertilities rather than panethnic additions to Asian American heterogeneity. In a de-emphasis upon the location of representative Asian American authors of Latin America, and upon reading in ways that tend toward the biopolitical (the “dimension or the level at which human life is inscribed, constituted, recognized, and defined within a given sociopolitical order,” as Gabriel Giorgi and Karen Pinkus define it), the following chapters promote a vigilance toward destabilizations of the monolingual and geographical bounds of traditional Asian (North) American literature, and a watching out for irruptions that render the imprecision and ambiguity of another identificatory location: that of the Asian American as an evident subset of the liberal human. |
| Keyword | Asian American literature; comparative literature; Asian American studies; American studies; diaspora; globalization; Gilles Deleuze; translation; transnational; hemispheric; literature; transnationalism; ethnic studies; ethnic literature |
| Language | English |
| Part of collection | University of Southern California dissertations and theses |
| Publisher (of the original version) | University of Southern California |
| Place of publication (of the original version) | Los Angeles, California |
| Publisher (of the digital version) | University of Southern California. Libraries |
| Provenance | Electronically uploaded by the author |
| Type | texts |
| Legacy record ID | usctheses-m |
| Rights | Kim, Michelle Har |
| Access conditions | The author retains rights to his/her dissertation, thesis or other graduate work according to U.S. copyright law. Electronic access is being provided by the USC Libraries in agreement with the author, as the original true and official version of the work, but does not grant the reader permission to use the work if the desired use is covered by copyright. It is the author, as rights holder, who must provide use permission if such use is covered by copyright. The original signature page accompanying the original submission of the work to the USC Libraries is retained by the USC Libraries and a copy of it may be obtained by authorized requesters contacting the repository e-mail address given. |
| Repository name | University of Southern California Digital Library |
| Repository address | USC Digital Library, University of Southern California, University Park Campus MC 7002, 106 University Village, Los Angeles, California 90089-7002, USA |
| Repository email | cisadmin@usc.edu |
| Archival file | uscthesesreloadpub_Volume4/etd-KimMichell-631.pdf |
Description
| Title | Page 1 |
| Full text | ANTIPODES OF ASIAN AMERICAN LITERATURE: HETEROLINGUALISM AND THE ASIAN AMERICAS by Michelle Har Kim A Dissertation Presented to the FACULTY OF THE USC GRADUATE SCHOOL UNIVERSITY OF SOUTHERN CALIFORNIA In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY (COMPARATIVE LITERATURE) May 2012 Copyright 2012 Michelle Har Kim |
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