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THE PASTORALIZATION OF BAROQUE OPERA:
TWO OPERAS AND THEIR CONTEXTS
by
Arthur Omura
A Thesis Presented to the
FACULTY OF THE USC GRADUATE SCHOOL
UNIVERSITY OF SOUTHERN CALIFORNIA
In Partial Fulfillment of the
Requirements for the Degree
MASTER OF ARTS
(EARLY MUSIC PERFORMANCE)
August 2012
Copyright 2012 Arthur Omura
Object Description
| Title | The pastoralization of Baroque opera: two operas and their contexts |
| Author | Omura, Arthur |
| Author email | aomura@usc.edu;rthrmr343@gmail.com |
| Degree | Master of Arts |
| Document type | Thesis |
| Degree program | Early Music Performance |
| School | Thornton School of Music |
| Date defended/completed | 2012-07-02 |
| Date submitted | 2012-07-31 |
| Date approved | 2012-08-01 |
| Restricted until | 2012-08-01 |
| Date published | 2012-08-01 |
| Advisor (committee chair) | Gilbert, Adam Knight |
| Advisor (committee member) |
Brown, Bruce Alan Carver, Lucinda |
| Abstract | This paper examines the pastoral genre as represented in operatic works from the early 18th century and juxtaposes them with pastoral works of other media: literature, including plays and poetry; painting; and architecture. Through this comparison, I will show that the musical pastoral must not be treated as a restrictive set of characteristics, but as a style or affect and as a way of looking at the world, and thus almost any artwork can be pastoralized. This examination and subsequent new definition will give the performer of Baroque music a better understanding of what the pastoral is, and how it might be recognized and interpreted. |
| Keyword | Baroque; pastoral; opera; Rameau; Handel; music; literature; architecture; painting |
| Language | English |
| Part of collection | University of Southern California dissertations and theses |
| Publisher (of the original version) | University of Southern California |
| Place of publication (of the original version) | Los Angeles, California |
| Publisher (of the digital version) | University of Southern California. Libraries |
| Provenance | Electronically uploaded by the author |
| Type | texts |
| Legacy record ID | usctheses-m |
| Contributing entity | University of Southern California |
| Rights | Omura, Arthur |
| Physical access | The author retains rights to his/her dissertation, thesis or other graduate work according to U.S. copyright law. Electronic access is being provided by the USC Libraries in agreement with the author, as the original true and official version of the work, but does not grant the reader permission to use the work if the desired use is covered by copyright. It is the author, as rights holder, who must provide use permission if such use is covered by copyright. The original signature page accompanying the original submission of the work to the USC Libraries is retained by the USC Libraries and a copy of it may be obtained by authorized requesters contacting the repository e-mail address given. |
| Repository name | University of Southern California Digital Library |
| Repository address | USC Digital Library, University of Southern California, University Park Campus MC 7002, 106 University Village, Los Angeles, California 90089-7002, USA |
| Repository email | cisadmin@dots.usc.edu |
| Archival file | uscthesesreloadpub_Volume4/etd-OmuraArthu-1098.pdf |
Description
| Title | Page 1 |
| Contributing entity | University of Southern California |
| Repository email | cisadmin@dots.usc.edu |
| Full text | THE PASTORALIZATION OF BAROQUE OPERA: TWO OPERAS AND THEIR CONTEXTS by Arthur Omura A Thesis Presented to the FACULTY OF THE USC GRADUATE SCHOOL UNIVERSITY OF SOUTHERN CALIFORNIA In Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS (EARLY MUSIC PERFORMANCE) August 2012 Copyright 2012 Arthur Omura |
