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ALL ON DIFFERENT TRIPS:
SAN FRANCISCO’S MISSION SCHOOL AND THE DOT-COM YEARS
by
Jacqueline Ann von Treskow
A Thesis Presented to the
FACULTY OF THE USC ROSKI SCHOOL OF FINE ARTS
UNIVERSITY OF SOUTHERN CALIFORNIA
In Partial Fulfillment of the
Requirements for the Degree
MASTER OF PUBLIC ART STUDIES
May 2012
Copyright 2012 Jacqueline Ann von Treskow
Object Description
| Title | All on different trips: San Francisco's Mission School and the dot-com years |
| Author | von Treskow, Jacqueline Ann |
| Author email | jackievontreskow@gmail.com;vontresk@usc.edu |
| Degree | Master of Public Art Studies |
| Document type | Thesis |
| Degree program | Public Art Studies |
| School | School of Fine Arts |
| Date defended/completed | 2012-03-26 |
| Date submitted | 2012-05-03 |
| Date approved | 2012-05-04 |
| Restricted until | 2012-05-04 |
| Date published | 2012-05-04 |
| Advisor (committee chair) | Higa, Karin |
| Advisor (committee member) |
Moss, Karen Helfand, Glen |
| Abstract | A 2002 cover story for the San Francisco Bay Guardian codified a group of local artists that included Barry McGee, Margaret Kilgallen, and Chris Johanson into a Bay Area art movement inextricably tethered to the neighborhood in which they lived, worked, and cultivated their artistic practices. While the Mission was being hit by a tidal wave of redevelopment and gentrification as a result of the city’s dot-com boom, Mission School artists and other cultural producers in the neighborhood were initiating and participating in a succession of grassroots, alternative exhibition spaces, publications, acts of creative resistance, and community-making endeavors aimed at cultivating a culture based on an ethos of resourcefulness, collectivity, and self-support. This thesis will trace the constellation of key sites of production and exhibition through which the Mission School artists moved during the turbulent 1990s in order to bring into focus the cultural landscape of the neighborhood and community that functioned as a “signal of aesthetic value” not only for Mission School artists, but for the plurality of artists who were living and working in the Mission. |
| Keyword | San Francisco; Mission School; 1990s; Chris Johanson; Barry McGee; Margaret Kilgallen; Rigo 23; gentrification; dot-com boom; creative resistance |
| Language | English |
| Part of collection | University of Southern California dissertations and theses |
| Publisher (of the original version) | University of Southern California |
| Place of publication (of the original version) | Los Angeles, California |
| Publisher (of the digital version) | University of Southern California. Libraries |
| Provenance | Electronically uploaded by the author |
| Type | texts |
| Legacy record ID | usctheses-m |
| Rights | von Treskow, Jacqueline Ann |
| Access conditions | The author retains rights to his/her dissertation, thesis or other graduate work according to U.S. copyright law. Electronic access is being provided by the USC Libraries in agreement with the author, as the original true and official version of the work, but does not grant the reader permission to use the work if the desired use is covered by copyright. It is the author, as rights holder, who must provide use permission if such use is covered by copyright. The original signature page accompanying the original submission of the work to the USC Libraries is retained by the USC Libraries and a copy of it may be obtained by authorized requesters contacting the repository e-mail address given. |
| Repository name | University of Southern California Digital Library |
| Repository address | USC Digital Library, University of Southern California, University Park Campus MC 7002, 106 University Village, Los Angeles, California 90089-7002, USA |
| Repository email | cisadmin@usc.edu |
| Archival file | uscthesesreloadpub_Volume4/etd-vonTreskow-740-0.pdf |
Description
| Title | Page 1 |
| Full text | ALL ON DIFFERENT TRIPS: SAN FRANCISCO’S MISSION SCHOOL AND THE DOT-COM YEARS by Jacqueline Ann von Treskow A Thesis Presented to the FACULTY OF THE USC ROSKI SCHOOL OF FINE ARTS UNIVERSITY OF SOUTHERN CALIFORNIA In Partial Fulfillment of the Requirements for the Degree MASTER OF PUBLIC ART STUDIES May 2012 Copyright 2012 Jacqueline Ann von Treskow |
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