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FASHION TRANSGRESSIONS AND CRIMES OF STYLE:
THE IMAGE OF THE FEMALE FASHION JOURNALIST
by
Sarah Christie Sotoodeh
________________________________________________________________________
A Thesis Presented to the
FACULTY OF THE USC GRADUATE SCHOOL
UNIVERSITY OF SOUTHERN CALIFORNIA
In Partial Fulfillment of the
Requirements for the Degree
MASTER OF ARTS
(BROADCAST JOURNALISM)
May 2012
Copyright 2012 Sarah Christie Sotoodeh
Object Description
| Title | Fashion transgressions and crimes of style: the image of the female fashion journalist |
| Author | Sotoodeh, Sarah Christie |
| Author email | sotoodeh@usc.edu;sarahsotoodeh@gmail.com |
| Degree | Master of Arts |
| Document type | Thesis |
| Degree program | Journalism (Broadcast Journalism) |
| School | Annenberg School for Communication |
| Date defended/completed | 2012-05-01 |
| Date submitted | 2012-04-26 |
| Date approved | 2012-04-27 |
| Restricted until | 2012-04-27 |
| Date published | 2012-04-27 |
| Advisor (committee chair) | Saltzman, Joe |
| Advisor (committee member) |
Page, Tim Birman, Dan |
| Abstract | This work examines the image of female fashion journalists in three series of novels by Ellen Byerrum, Sam Baker, and Eleanor Hyde. Lacey Smithsonian is the main character in the “Crimes of Fashion” seven-novel series by Ellen Byerrum and two films, Killer Hair and Hostile Makeover, based on two of the novels. The two films will be compared and contrasted to the novels that inspired the films. Smithsonian will be compared to female journalists and fashion journalists, including Annie Anderson from the Sam Baker two-novel series and Lydia Miller, an ex-runway model turned fashion writer in the Eleanor Hyde two-novel series. ❧ Lacey Smithsonian hates being the fashion reporter, even though it brings her fame and success at the paper. Even though Lacey loves to dress in clothes from the 1940s, she dislikes being forced to write about fashion instead a “serious” beat. Lacey is a strong-willed female, but her role as a sob sister and victim is evident in the series. Crimes of fashion occur on her beat and, as she investigates, she ends up becoming part of the story. ❧ Annie Anderson must fight her inner demons as she acclimates to the new direction her career has taken as the fashion features editor for one of the top British fashion magazines, Handbag. Her previous job was at The London Post as the chief investigative reporter. She decided she needed a break from “serious” journalism and thus began her job in fashion. She does not fit in with the magazine, yet she is very successful and ends up landing coveted exclusive interviews that land her cover stories. Her investigative skills get her in trouble as she becomes involved in solving disappearances and murders that soon threaten her life. ❧ Lydia Miller is a former runway model who doesn’t share the same passion for journalism as Smithsonian and Anderson. The writer doesn’t care for the craft but only works for the fashion magazine Gazelle to pay the bills. She, too, stumbles onto murders and must solve the cases before she becomes history. |
| Keyword | female; fashion; journalist |
| Language | English |
| Part of collection | University of Southern California dissertations and theses |
| Publisher (of the original version) | University of Southern California |
| Place of publication (of the original version) | Los Angeles, California |
| Publisher (of the digital version) | University of Southern California. Libraries |
| Provenance | Electronically uploaded by the author |
| Type | texts |
| Legacy record ID | usctheses-m |
| Rights | Sotoodeh, Sarah Christie |
| Access conditions | The author retains rights to his/her dissertation, thesis or other graduate work according to U.S. copyright law. Electronic access is being provided by the USC Libraries in agreement with the author, as the original true and official version of the work, but does not grant the reader permission to use the work if the desired use is covered by copyright. It is the author, as rights holder, who must provide use permission if such use is covered by copyright. The original signature page accompanying the original submission of the work to the USC Libraries is retained by the USC Libraries and a copy of it may be obtained by authorized requesters contacting the repository e-mail address given. |
| Repository name | University of Southern California Digital Library |
| Repository address | USC Digital Library, University of Southern California, University Park Campus MC 7002, 106 University Village, Los Angeles, California 90089-7002, USA |
| Repository email | cisadmin@usc.edu |
| Archival file | uscthesesreloadpub_Volume4/etd-SotoodehSa-672.pdf |
Description
| Title | Page 1 |
| Full text | FASHION TRANSGRESSIONS AND CRIMES OF STYLE: THE IMAGE OF THE FEMALE FASHION JOURNALIST by Sarah Christie Sotoodeh ________________________________________________________________________ A Thesis Presented to the FACULTY OF THE USC GRADUATE SCHOOL UNIVERSITY OF SOUTHERN CALIFORNIA In Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS (BROADCAST JOURNALISM) May 2012 Copyright 2012 Sarah Christie Sotoodeh |
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