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THE APPLICATION OF MULTIMEDIA AND THEATRICAL ELEMENTS TO
FRANZ JOSEPH HAYDN’S DIE SCHÖPFUNG (THE CREATION):
EXAMPLES FOR DAY FIVE, SCENE ONE
by
Anastasia C. Glasheen
A Dissertation Presented to the
FACULTY OF THE USC THORNTON SCHOOL OF MUSIC
UNIVERSITY OF SOUTHERN CALIFORNIA
In Partial Fulfillment of the
Requirements for the Degree
DOCTOR OF MUSICAL ARTS
(CHORAL MUSIC)
December 2011
Copyright 2011 Anastasia C. Glasheen
Object Description
| Title | The application of multimedia and theatrical elements to Franz Joseph Haydn's Die Schöpfung (The creation): examples for day five, scene one |
| Author | Glasheen, Anastasia C. |
| Author email | glasheen@usc.edu;agsings@gmail.com |
| Degree | Doctor of Musical Arts |
| Document type | Dissertation |
| Degree program | Choral Music |
| School | Thornton School of Music |
| Date defended/completed | 2011-08-11 |
| Date submitted | 2011-09-20 |
| Date approved | 2011-09-20 |
| Restricted until | 2011-09-20 |
| Date published | 2011-09-20 |
| Advisor (committee chair) | Strimple, Nick |
| Advisor (committee member) |
Solomon, Magen Cazan, Ken |
| Abstract | This dissertation adds multimedia and theatrical elements to Haydn’s The Creation, Day Five, Scene One. The music-derived additions include creative images, choreography, costumes and puppetry, lighting, and set design. It is argued that the addition of a more familiar production style to the rich choral-solo-orchestral score can bridge the gap between this repertoire’s traditional audiences and those more familiar/comfortable with Broadway musicals and modern theatrical elements, introduce and educate new audiences to this masterwork, and enhance and enrich the experience of The Creation for Haydn’s many devoted fans. This project provides information and materials necessary for a creative team wishing to mount such a production, which include the history of Haydn’s The Creation, ideas for creative imaging, choreography, costuming, masks, puppetry, lighting, set design, and a working example. By drawing upon visually enticing theatrical processes, as seen in The Lion King for example, this paper demonstrates how current trends in popular presentation can bring new audiences to the classical oratorio. |
| Keyword | music; choral music; Haydn; The creation; Die Schöpfung; multimedia; interdisciplinary arts; music education; theatre |
| Language | English |
| Part of collection | University of Southern California dissertations and theses |
| Publisher (of the original version) | University of Southern California |
| Place of publication (of the original version) | Los Angeles, California |
| Publisher (of the digital version) | University of Southern California. Libraries |
| Provenance | Electronically uploaded by the author |
| Type | texts |
| Legacy record ID | usctheses-m |
| Rights | Glasheen, Anastasia C. |
| Access conditions | The author retains rights to his/her dissertation, thesis or other graduate work according to U.S. copyright law. Electronic access is being provided by the USC Libraries in agreement with the author, as the original true and official version of the work, but does not grant the reader permission to use the work if the desired use is covered by copyright. It is the author, as rights holder, who must provide use permission if such use is covered by copyright. The original signature page accompanying the original submission of the work to the USC Libraries is retained by the USC Libraries and a copy of it may be obtained by authorized requesters contacting the repository e-mail address given. |
| Repository name | University of Southern California Digital Library |
| Repository address | USC Digital Library, University of Southern California, University Park Campus MC 7002, 106 University Village, Los Angeles, California 90089-7002, USA |
| Repository email | cisadmin@usc.edu |
| Archival file | uscthesesreloadpub_Volume71/etd-GlasheenAn-290.pdf |
Description
| Title | Page 1 |
| Full text | THE APPLICATION OF MULTIMEDIA AND THEATRICAL ELEMENTS TO FRANZ JOSEPH HAYDN’S DIE SCHÖPFUNG (THE CREATION): EXAMPLES FOR DAY FIVE, SCENE ONE by Anastasia C. Glasheen A Dissertation Presented to the FACULTY OF THE USC THORNTON SCHOOL OF MUSIC UNIVERSITY OF SOUTHERN CALIFORNIA In Partial Fulfillment of the Requirements for the Degree DOCTOR OF MUSICAL ARTS (CHORAL MUSIC) December 2011 Copyright 2011 Anastasia C. Glasheen |
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