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Making art public: mobilizing public art through technology

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Title	Making art public: mobilizing public art through technology
Author	Haasl, Claire Mary
Author email	cmhaas1@yahoo.com
Degree	Master of Public Art Studies
Document type	Thesis
Degree program	Public Art Studies
School	School of Fine Arts
Date defended/completed	2008
Date submitted	2008
Restricted until	Unrestricted
Date published	2008-04-18
Advisor (committee chair)	Moss, Karen
Advisor (committee member)	Willis, Holly Decter, Joshua
Abstract	This thesis explores the projects PDPal, Yellow Arrow, and REMAPPING LA, showing that the artists who produced them have extended and advanced Situationist International praxis by using mobile Web-based technologies. These projects show that today's artists and thinkers are not only recalling and contemporizing the revolutionary work of the SI, they are redefining public exploration by interrupting both our usual motivations for using mobile devices, and the public space through which we move.
Keyword	mobile technology; public art; Situationist International; Habermas; New Babylon; REMAP; PDPal; Yellow Arrow
Language	English
Part of collection	University of Southern California dissertations and theses
Publisher (of the original version)	University of Southern California
Place of publication (of the original version)	Los Angeles, California
Publisher (of the digital version)	University of Southern California. Libraries
Type	texts
Legacy record ID	usctheses-m1159
Rights	Haasl, Claire Mary
Repository name	Libraries, University of Southern California
Repository address	Los Angeles, California
Repository email	http://www.usc.edu/isd/libraries/services/ask_a_librarian/email/
Filename	etd-Haasl-20080418
Archival file	uscthesesreloadpub_Volume26/etd-Haasl-20080418.pdf

Title	Page 1
Full text	MAKING ART PUBLIC: MOBILIZING PUBLIC ART THROUGH TECHNOLOGY by Claire Mary Haasl A Thesis Presented to the FACULTY OF THE USC, ROSKI SCHOOL OF FINE ARTS UNIVERSITY OF SOUTHERN CALIFORNIA In Partial Fulfillment of the Requirements for the Degree MASTER OF PUBLIC ART STUDIES May 2008 Copyright 2008 Claire Mary Haasl

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