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THE INSPIRATION TOWARDS WHICH THE WORK WE SEE THE EVIDENCE OF:
LABOR AND THE UNKNOWN IN PAINTING
by
John Edward Seal
A Thesis Presented to the
FACULTY OF THE USC GRADUATE SCHOOL
UNIVERSITY OF SOUTHERN CALIFORNIA
In Partial Fulfillment of the
Requirements for the Degree
MASTER OF FINE ARTS
August 2011
Copyright 2011 John Edward Seal
Object Description
| Title | The inspiration towards which the work we see the evidence of: labor and the unknown in painting |
| Author | Seal, John, Edward |
| Author email | jseal@usc.edu;johnseal@gmail.com |
| Degree | Master of Fine Arts |
| Document type | Thesis |
| Degree program | Fine Arts |
| School | School of Fine Arts |
| Date defended/completed | 2011-07-05 |
| Date submitted | 2011-07-05 |
| Date approved | 2011-07-05 |
| Restricted until | 2011-07-05 |
| Date published | 2011-07-05 |
| Advisor (committee chair) | Fine, Jud |
| Advisor (committee member) |
Lapinski, Lisa Holte, Michael Ned |
| Abstract | This thesis attempts to explore the space of labor and the traces it leaves behind as the central site of ideology and ethics in painting. This theme is explored through the examination of two paintings: Ambrosius Bosschaert’s 1619 Bouquet on a Window Ledge and Barnett Newman’s 1950 The Voice. Though centuries apart, these two works both hinge on the artist’s physical involvement to generate and communicate their essential ideologies. |
| Keyword | Barnett Newman; Ambrosius Bosschaert; still life; labor |
| Language | English |
| Part of collection | University of Southern California dissertations and theses |
| Publisher (of the original version) | University of Southern California |
| Place of publication (of the original version) | Los Angeles, California |
| Publisher (of the digital version) | University of Southern California. Libraries |
| Provenance | Electronically uploaded by the author |
| Type | texts |
| Legacy record ID | usctheses-m |
| Rights | Seal, John, Edward |
| Access conditions | The author retains rights to his/her dissertation, thesis or other graduate work according to U.S. copyright law. Electronic access is being provided by the USC Libraries in agreement with the author, as the original true and official version of the work, but does not grant the reader permission to use the work if the desired use is covered by copyright. It is the author, as rights holder, who must provide use permission if such use is covered by copyright. The original signature page accompanying the original submission of the work to the USC Libraries is retained by the USC Libraries and a copy of it may be obtained by authorized requesters contacting the repository e-mail address given. |
| Repository name | University of Southern California Digital Library |
| Repository address | USC Digital Library, University of Southern California, University Park Campus MC 7002, 106 University Village, Los Angeles, California 90089-7002, USA |
| Repository email | cisadmin@usc.edu |
| Archival file | uscthesesreloadpub_Volume71/etd-SealJohnEd-38.pdf |
Description
| Title | Page 1 |
| Full text | THE INSPIRATION TOWARDS WHICH THE WORK WE SEE THE EVIDENCE OF: LABOR AND THE UNKNOWN IN PAINTING by John Edward Seal A Thesis Presented to the FACULTY OF THE USC GRADUATE SCHOOL UNIVERSITY OF SOUTHERN CALIFORNIA In Partial Fulfillment of the Requirements for the Degree MASTER OF FINE ARTS August 2011 Copyright 2011 John Edward Seal |
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