Page 1 |
Save page Remove page | Previous | 1 of 200 | Next |
|
small (250x250 max)
medium (500x500 max)
large ( > 500x500)
Full Resolution
All (PDF)
|
This page
All
Subset |
THE LIBRARY OF CONGRESS ARCHIVE OF RECORDED
POETRY AND LITERATURE, 1941-1961
AND
FAMOUS BIRDS, A COLLECTION OF POEMS
by
Eric Rawson
A Dissertation Presented to the
FACULTY OF THE GRADUATE SCHOOL
UNIVERSITY OF SOUTHERN CALIFORNIA
In Partial Fulfillment of the
Requirements for the Degree
DOCTOR OF PHILOSOPHY
(ENGLISH)
August 2009
Copyright 2009 Eric Rawson
Object Description
| Title | The Library of Congress Archive of Recorded Poetry and Literature, 1941-1961, and Famous Birds, a collection of poems |
| Author | Rawson, Eric |
| Author email | erawson@usc.edu; erawson@gmail.com |
| Degree | Doctor of Philosophy |
| Document type | Dissertation |
| Degree program | Literature & Creative Writing |
| School | College of Letters, Arts and Sciences |
| Date defended/completed | 2009-04-21 |
| Date submitted | 2009 |
| Restricted until | Unrestricted |
| Date published | 2009-07-03 |
| Advisor (committee chair) | St. John, David |
| Advisor (committee member) |
Irwin, Mark Lazar, Moshe |
| Abstract | This dissertation consists of two distinct elements, one critical and the other creative. The critical element, “Chapter One: The Library of Congress Archive of Recorded Poetry and Literature, 1941-1961,” situates the Library of Congress poetry-recording project in the context of Cold War attempts to create and project a robust American literary culture. The author examines the historical relationship between the audiotext archive and the literary canon, the role of authorialperformance in audiotext production, and the significance of the archival and testimonial process of recording poets reading their own work. In tracing the evolution of the Library of Congress project, the author shows how early auditory archive-building, despite its ad hoc practices, endorsed the authority of the short lyric and posited the voice as the ultimate hermeneutic key, while simultaneously reinforcing the canonization of High Modernist authors and New Critics who in print expressed disdain for this sort of authority-building. As anxiety about producing documentary evidence of a national culture spurred the identification of an artist’s aural performance with official sanction, institutional discourse -- academic, governmental, and pedagogical -- collided with the aesthetic discourse and technological ideology of the mid-twentieth century. The author concludes that despite attempts to recuperate a lost oral tradition, magnetic sound recording of poets reading aloud serves mainly to reconfigure and affirm the graphical authority of literary work even as we move into a post-print era.; The creative element, “Chapter Two: Famous Birds, A Collection of Poetry,” challenges the authority of the spoken voice which the author examines in the Library of Congress project by graphically, semantically, and syntactically deploying language in a way that seems to deny an authoritative oral expression. The “subject matter” of these poems might be characterized as soliloquies interrupted by the language of the world, such that any and all internal and external events that occur during the process of writing can be filtered and integrated into the poem. |
| Keyword | library of congress; archive of recorded poetry and literature; poetry recordings; 20th century American poetry; poetry and technology |
| Coverage date | 1941/1961 |
| Language | English |
| Part of collection | University of Southern California dissertations and theses |
| Publisher (of the original version) | University of Southern California |
| Place of publication (of the original version) | Los Angeles, California |
| Publisher (of the digital version) | University of Southern California. Libraries |
| Provenance | Electronically uploaded by the author |
| Type | texts |
| Legacy record ID | usctheses-m2323 |
| Rights | Rawson, Eric |
| Repository name | Libraries, University of Southern California |
| Repository address | Los Angeles, California |
| Repository email | http://www.usc.edu/isd/libraries/services/ask_a_librarian/email/ |
| Filename | etd-Rawson-2910 |
| Archival file | uscthesesreloadpub_Volume48/etd-Rawson-2910.pdf |
Description
| Title | Page 1 |
| Full text | THE LIBRARY OF CONGRESS ARCHIVE OF RECORDED POETRY AND LITERATURE, 1941-1961 AND FAMOUS BIRDS, A COLLECTION OF POEMS by Eric Rawson A Dissertation Presented to the FACULTY OF THE GRADUATE SCHOOL UNIVERSITY OF SOUTHERN CALIFORNIA In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY (ENGLISH) August 2009 Copyright 2009 Eric Rawson |
Comments
Post a Comment for Page 1
