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ECLIPSED CINEMAS:
COLONIAL MODERNITY AND FILM CULTURES IN KOREA
UNDER JAPANESE COLONIAL RULE
by
Dong Hoon Kim
A Dissertation Presented to the
FACULTY OF THE GRADUATE SCHOOL
UNIVERSITY OF SOUTHERN CALIFORNIA
In Partial Fulfillment of the
Requirements for the Degree
DOCTOR OF PHILOSOPHY
(CRITICAL STUDIES)
August 2008
Copyright 2008 Dong Hoon Kim
Object Description
| Title | Eclipsed cinemas: colonial modernity and film cultures in Korea under Japanese colonial rule |
| Author | Kim, Dong Hoon |
| Author email | donghkim@usc.edu |
| Degree | Doctor of Philosophy |
| Document type | Dissertation |
| Degree program | Cinema-Television (Critical Studies) |
| School | School of Cinema-Television |
| Date defended/completed | 2008-05-21 |
| Date submitted | 2008 |
| Restricted until | Unrestricted |
| Date published | 2008-07-11 |
| Advisor (committee chair) | James, David |
| Advisor (committee member) |
Jaikumar, Priya Lippit, Akira |
| Abstract | "Eclipsed Cinemas: Colonial Modernity and Film Cultures in Korea under Japanese Colonial Rule " examines how histories and legacies surrounding Japanese imperialism have been inscribed upon the film histories and film cultures of the East Asian region, focusing particularly on the interactions and reciprocal influences between Japanese and Korean film cultures under Japanese colonial rule. More specifically, it investigates how Japanese imperialism influenced and directed the development and formation of the film cultures in Korea from around 1900 through the early 1930s, with an emphasis on the film culture of the 1920s when film became the major modern culture and thereby fully integrated into the everyday cultural life of the Koreans. While focusing on film exhibition and spectatorship which have been often marginalized in discussions of national and colonial cinemas, this dissertation looks at various aspects of colonial film cultures such as film production, exhibition, reception, policies, and censorship. It additionally considers the various ways in which the unique nature of Japanese imperialism as the sole Asian imperial force -- its geographical and cultural proximity to its colonies and its ultimate endeavor to turn its colonies into Japan -- shaped the early development of cinema in Korea and East Asia.; As it uncovers a variety of historical issues and questions that have long been ignored or marginalized, "Eclipsed Cinemas" is also concerned with the issue of historiography in relation to the ways in which the legacies of imperialism and nationalism have modified, concealed, exaggerated or "eclipsed" film histories and historical materials. By investigating the cinema's convoluted relation to Korea's colonial modernity and Japanese imperialism and the discursive formations of national and regional film histories and historiographies, this dissertation ultimatley explores the mutually constitutive relationship between early Japanese and Korean film histories. |
| Keyword | motion pictures; history; Korea; Japan; motion picture industry; imperialism; nationalism |
| Geographic subject (country) | Korea |
| Coverage date | 1900/1930 |
| Language | English |
| Part of collection | University of Southern California dissertations and theses |
| Publisher (of the original version) | University of Southern California |
| Place of publication (of the original version) | Los Angeles, California |
| Publisher (of the digital version) | University of Southern California. Libraries |
| Type | texts |
| Legacy record ID | usctheses-m1337 |
| Rights | Kim, Dong Hoon |
| Repository name | Libraries, University of Southern California |
| Repository address | Los Angeles, California |
| Repository email | http://www.usc.edu/isd/libraries/services/ask_a_librarian/email/ |
| Filename | etd-Kim-20080711 |
| Archival file | uscthesesreloadpub_Volume40/etd-Kim-20080711.pdf |
Description
| Title | Page 1 |
| Full text | ECLIPSED CINEMAS: COLONIAL MODERNITY AND FILM CULTURES IN KOREA UNDER JAPANESE COLONIAL RULE by Dong Hoon Kim A Dissertation Presented to the FACULTY OF THE GRADUATE SCHOOL UNIVERSITY OF SOUTHERN CALIFORNIA In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY (CRITICAL STUDIES) August 2008 Copyright 2008 Dong Hoon Kim |
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