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And silent answers
crept across the stars
for orchestra
Andrew V. Ly
(2008)
Frosted eyes there were that lifted altars;
And silent answers crept across the stars.
Hart Crane, “At Melville’s Tomb”
Instrumentation:
2 Flutes (both doubling Piccolo)
2 Oboes
English Horn
2 Clarinets in A
Bass Clarinet in Bb
2 Bassoons
4 Horns in F
3 Trumpets in C (1st Trumpet doubling Piccolo Trumpet in Bb)
2 Trombones
Tuba
3 Percussionists:
Large cymbal, w/ soft mallet
Small triangle, w/ light beater
Bass Drum
Tam-tam
Tubular Bells
Glockenspiel
Vibraphone
Celesta
Harp
Strings
Approximate duration: 7 minutes
Los Angeles, November 2008
Timelessly q=60
Score in C
Andrew V. Ly
(2008)
And silent answers crept across the stars
for my grandmother, Mau Thi Nguyen
Flute 1&2
Oboe 1&2
English Horn
Clarinet [in A] 1&2
Bass Clarinet
[in Bb]
Bassoon 1&2
Horn [in F] 1&2
Horn [in F] 3&4
Trumpet 1
Trumpet 2&3
Trombone 1&2
Tuba
Percussion
Tubular Bells
Glockenspiel
Vibraphone
Celesta
Harp
Violin I
Violin II
Viola
Violoncello
Contrabass
p
Large cymbal, w/ soft mallet
l.v.
p
pp
I
mp
pp
pp sempre
I II
I II etc.
pp sempre
I II I
II etc.
10
Perc.
Vib.
Cel.
Hp.
Vla.
Vc.
Vib.
p
D C B Eb Fb G A
mp
7
7 7
mp
pp
I II I II etc.
pp
17
A
Bsn. 1,2
Perc.
Vib.
Cel.
Hp.
Vln. I
Vln. II
Vla.
Vc.
n
mp
n
mp
Small triangle, w/ light beater
pp sempre
3 3 3
3
3
mp
3
p
pp
p sempre legato
3 3 3 3 3
3 3 3 3 3
cresc.
7 mf
f
7
5
5
sul pont., first stand
pp sempre
3
sul pont., first stand
pp sempre
3
mp
n
mp
n
n
2
23
Bsn. 1,2
Perc.
Vib.
Cel.
Vln. I
Vln. II
pp
mp
5
7 3 6 6
pp
mp
5 7 5 5 5
Small triangle, w/ light beater 3 3 3
3 3 3 3 3 3
3 3 3 3 3 3
3
3
3
3
3
3
3
3
3
3
26
Eng. Hn.
Bsn. 1,2
Hn. 1,2
Hn. 3,4
Perc.
Cel.
Hp.
Vln. I
Vln. II
pp
mp
pp
7 7
3 3 6 7 3
3
n
n
3 3
poco a poco cresc.
3 3 3 3 3 3
3 3 3 3 3 3
D# C B E F# G A mp
3 3 3 3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
29
Eng. Hn.
Hn. 1,2
Hn. 3,4
Perc.
Cel.
Hp.
Vln. I
Vln. II
mf
p
mf
p
mf
3 3 3 3 3
mf
3 3 3 3 3 3 3
3 3 3 3 3 3 3
3 3 3 3 3 3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
B
33
Ob. 1,2
Cl. 1,2
Hn. 1,2
Hn. 3,4
C Tpt. 1
C Tpt. 2,3
Perc.
Glock.
Vib.
Cel.
Hp.
Vln. I
Vln. II
mf
mf
fp
fp
straight mute
sfp
fp
fp
fp
3
sfp
straight mute
fp
fp
fp
3
Glock.
sf
p
6 6 5 5
Vib.
f
5
mf
5 7
f
mf
3
altri div. pizz.
f
3
tutti div. pizz.
3
f
altri div. pizz.
3
tutti div. pizz.
3
4
36
C
Ob. 1,2
Cl. 1,2
Hn. 1,2
Hn. 3,4
C Tpt. 1
C Tpt. 2,3
Perc.
Glock.
Vib.
Cel.
Hp.
Vln. I
Vln. II
pp
fp
mp
3 6
3 6
Small triangle, w/ light beater
pp sempre
3 3 3
n
5 6 7
ff
mp
5 5 5 5 5 5
n
3 3 3
mp sempre
3 3 3
3 3
3 3
38
Hn. 1,2
Hn. 3,4
Perc.
Vib.
Cel.
Hp.
Vln. I
mp
p
mp
p
mp
p poco a poco cresc.
3 3 3 3 3
n
mp
3
3 3 3 3 3
3
3
3 3
3 3
3 3 3 3 3 3
3 3 3 3 3 3
arco
pp
5
40
Bsn. 1,2
Hn. 1,2
Hn. 3,4
Tbn. 1,2
Perc.
Cel.
Hp.
Vln. I
p poco a poco cresc.
mp
mf
5
p poco a poco cresc.
mp
f
mp
f
mp
mf
gliss.
gliss.
3 3 3 3 3
3 3 3 3 3 3
3 3 3 3 3 3
3 3 3 3 3 3
3 3 3 3 3 3
arco
pp
3
3
3
3
3
3
3
3
6
D
42
Fl. 1,2
Ob. 1,2
Cl. 1,2
B. Cl.
Bsn. 1,2
Hn. 1,2
Hn. 3,4
C Tpt. 1
C Tpt. 2,3
Tbn. 1,2
Tba.
Glock.
Cel.
Vln. I
Vln. II
Vc.
Cb.
mf
mf
mf
sfp
sfp
sfp
fp
fp
straight mute
fp
fp
straight mute
fp
fp
sfp
sfp
sfp
sfp
Glock.
sfz
p
6 3 6 6 6
mf
poco a poco cresc.
3
3 3 3 3
poco a poco cresc.
3
3
3 3 3 3
p poco a poco cresc.
arco
3 3 3 3 3 3
div. pizz.
f
pizz.
f
7
44
Fl. 1,2
Ob. 1,2
Cl. 1,2
B. Cl.
Bsn. 1,2
C Tpt. 1
C Tpt. 2,3
Tbn. 1,2
Tba.
Perc.
Glock.
Cel.
Vln. I
Vln. II
mp
mp
mp
mp
f
mp
f
f
mf
5
f
mf
5
mp f
5
mp
f
Bass Drum
mf
5
6 6 6 6
3
3 3 3
3
3
3 3 3
3 3 3 3
8
46 E
Fl. 1,2
Ob. 1,2
Cl. 1,2
B. Cl.
Bsn. 1,2
C Tpt. 1
C Tpt. 2,3
Tbn. 1,2
Tba.
Perc.
Glock.
Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
ff
ff
ff
mf
ff
mf
ff
ff
5
ff
5
mf ff
5
mf
ff
mf
ff
5 5
f
3 6 6 6
3
ff
3 3
3
3
3
ff
3 3
ff
3 3 3 3 3
div.
f
3
ff
arco div.
f
3
ff
arco div.
ff
9
48
Tub. B.
Vln. I
Vln. II
Vla.
Vc.
Cb.
Tub. B.
f
l.v.
mf
5
6 5
p
p
3
5
3
5
p
p
p
52
F
Più mosso x=eK
Tub. B.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mp
3
n
n
p
n
p
n
solo
mp
3
n
3
3 3 3 3 3 3 3
mp
10
57
Cl. 1,2
B. Cl.
Bsn. 1,2
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p
p
p 5
5
p
p 3 3
3 3
Large cymbal, w/ soft mallet
mp
l.v.
D# C# B E F# G# A#
mp 7
7
con sord.
p
3
3
con sord.
p 5
con sord.
p
pp
n
3 3 3 3 3 3 3 3 3 3
p
n
G
Meno mosso
61
Più mosso
Fl. 1,2
Eng. Hn.
Cl. 1,2
B. Cl.
Bsn. 1,2
Perc.
Vib.
Cel.
Hp.
fp
rit. a tempo
3 3 3 5 6 6 3 6 5
fp
rit. a tempo
n
5 6 6 3 5 5
solo
mp molto rubato
a tempo
p
3
3
3 3
mf
mf
p 3 3
3
p 5
5
p 7
mp
mf
Vib.
mp
p
p sempre legato
f
mp
11
65
H
Meno mosso
Più mosso
Fl. 1,2
Ob. 1,2
Cl. 1,2
B. Cl.
Bsn. 1,2
Vib.
Cel.
Hp.
Vln. I
Vln. II
Vla.
n
fp
rit. a tempo
6 6 6 7
fp
rit. a tempo
5 6
solo
mp molto rubato
a tempo
3
3 3
p
mf
9
5
p
mf
9
5
3
7
mf
mp
p
p
f
p
p 3 3
p
5
68
Fl. 1,2
Ob. 1,2
Tbn. 1,2
Vib.
Cel.
Vla.
Vc.
7 6 3 6 7
6 3 6 6 6 6
p
mp
gliss.
gliss.
mp
pp
div. a 4
p
3
3
mf
mp
div., con sord.
12
I 70
Fl. 1,2
Ob. 1,2
Bsn. 1,2
Tbn. 1,2
Vib.
Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
n
n
6 6
p
n
p
5
p
n
p
5
div.
pp sempre
3
3
3
3 3
div.
pp sempre
3
3
3 3
p
3
3
3
3
p
div., con sord.
p
73
Cl. 1,2
Bsn. 1,2
Tbn. 1,2
Vib.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p
1.
3
5
5
3 3 3
p
3
3
3
3
3 3
3
3
3
3
3
3 3
3
3
3
13
77 J
Picc. 1,2
Cl. 1,2
Bsn. 1,2
Hn. 1,2
Hn. 3,4
Tbn. 1,2
Tba.
Perc.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mp
3
3
3
3
3
3
3
3
3
3
3
3
3
3
p
3 3 3 3 3 3 3 3
fp
n
fp
n
fp
n
fp
n
3 3 3
fp
n
pp sempre
l.v.
3
pp sempre
3
pp sempre
3
3
n
n
n
81
Picc. 1,2
Cl. 1,2
Perc.
Vln. I
Vln. II
3
3
3
3
3
3
3
3
3 3 3
3
3
3
3
3 3 3
3
3
3
3
3
3
3 3
14
84
Picc. 1,2
Cl. 1,2
Perc.
Hp.
Vln. I
Vln. II
lightly
3 3 3 3 3 3 3 3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
D C Bb E F# G A
p
3
3
3
3
3 3
3
3
3
3
87
Picc. 1,2
Ob. 1,2
Cl. 1,2
Perc.
Vib.
Cel.
Hp.
Vln. I
Vln. II
Vla.
p
3 3
3
3
3
3
Vib.
mp
3
3
3 3
mp
mp
3
3
3
3
mp
3
3
3
mp
15
K
90
Fl. 1,2
Ob. 1,2
Cl. 1,2
Hn. 1,2
Hn. 3,4
Picc. Tpt.
C Tpt. 2,3
Cel.
Hp.
Vln. I
Vln. II
mf
3
3
3
3
3
3
mf
mp lightly
poco a poco cresc.
mf
3
3
3
3
3
3
3
mp
3
mp
3
mp
mp
solo
mf sempre legato
3
mf
3
straight mute
mp lightly
poco a poco cresc.
f
sfz
sfz
D C Bb Eb F Gb Ab
D# C# B E F# G# A#
div. a 4, senza sord.
unmeasured ricochet
sfz
mf
sfz
mf
div. a 4, senza sord.
unmeasured ricochet
sfz
mf
sfz
mf
94
Fl. 1,2
Ob. 1,2
Cl. 1,2
Bsn. 1,2
Hn. 1,2
Hn. 3,4
Picc. Tpt.
C Tpt. 2,3
Hp.
Vln. I
Vln. II
3
3
3
f
3
mf
3
3
3
3
f
3
p
3
3 3
p
3
3
mf
3
3
mf
f
3
3
mf
sffz
D C# B E# F G# A
sffz
f
sffz
f
16
97
Fl. 1,2
Ob. 1,2
Cl. 1,2
Bsn. 1,2
Hn. 1,2
Hn. 3,4
Picc. Tpt.
C Tpt. 2,3
Vln. I
Vln. II
Vla.
Vc.
3
3
3
3
3
3
3
3
3
3
3
3 3
3
3 3
3
3
3 3
3
3 3
3
3 3
3
3 3
3
pizz.
3
ff
pizz.
3
ff
div. a 4, senza sord.
f
3
div. a 4, senza sord.
f
3
17
L
Meno mosso (A tempo, K e=x, q=60)
100
Fl. 1,2
Ob. 1,2
Eng. Hn.
Cl. 1,2
Bsn. 1,2
Hn. 1,2
Hn. 3,4
Picc. Tpt.
C Tpt. 2,3
Tba.
Perc.
Tub. B.
Vla.
Vc.
Cb.
p sempre
p sempre
p
solo
mp
3
3
3
fp
f
n
f
n
p
p
f
fp
mf
Tam-tam
Tub. B.
f
mf
f
p subito
I II
3 3
ff
div., senza sord.
mf
div. a 3
f
104
Fl. 1,2
Eng. Hn.
Bsn. 1,2
Tba.
Tub. B.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mp
3
3
solo, con sord. pp
ad libitum
n
5
5
solo, con sord.
pp
ad libitum
n
5
5
p
I II
3 3 3 3 3 3 3
mp
18
108
Fl. 1,2
Vln. I
Vln. II
Vla.
Vc.
Cb.
solo
pp
ad libitum
n
5 5
solo
pp
ad libitum
n
5 5
p
I II
3 3
3 3 3 3 3 3 3 3 3 3
f
mf poco a poco dim.
M
112
Fl. 1,2
Perc.
Hp.
Vln. I
Vla.
Vc.
Cb.
pp sempre
Small triangle, w/ light beater
l.v.
mp sempre
3
3 3 3 3 3 3 3 3
II, tutti, senza sord.
pp
p
3
19
116
Picc. 1,2
Cl. 1,2
Bsn. 1,2
Hn. 1,2
Hn. 3,4
Tba.
Perc.
Glock.
Cel.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
solo
p
3
3
3
3
1.
pp
9
pp
7 7
pp
9 9
p
mp
p
mp
pp
Glock.
p
l.v.
pp
11
11
3 3 3 3 3 3 3
tutti, con sord. 5
5 5
pp
tutti, con sord.
pp
p
con sord.
pp
pp
solo, con sord.
3
3 3
3
5
5
5 5
con sord.
pp
p
20
118
Picc. 1,2
Cl. 1,2
Hn. 1,2
Hn. 3,4
Perc.
Glock.
Cel.
Hp.
Vln. I
Vln. II
Vla.
Cb.
n
3
3
3
3
9
pp
7 7
n
n
p
non rit.
3 3 3 3 3
3
non rit.
3 3 3 3 3 3 3
n
5
non rit.
n
21
Object Description
Description
| Title | Page 1 |
| Full text | And silent answers crept across the stars for orchestra Andrew V. Ly (2008) Frosted eyes there were that lifted altars; And silent answers crept across the stars. Hart Crane, “At Melville’s Tomb” Instrumentation: 2 Flutes (both doubling Piccolo) 2 Oboes English Horn 2 Clarinets in A Bass Clarinet in Bb 2 Bassoons 4 Horns in F 3 Trumpets in C (1st Trumpet doubling Piccolo Trumpet in Bb) 2 Trombones Tuba 3 Percussionists: Large cymbal, w/ soft mallet Small triangle, w/ light beater Bass Drum Tam-tam Tubular Bells Glockenspiel Vibraphone Celesta Harp Strings Approximate duration: 7 minutes Los Angeles, November 2008 Timelessly q=60 Score in C Andrew V. Ly (2008) And silent answers crept across the stars for my grandmother, Mau Thi Nguyen Flute 1&2 Oboe 1&2 English Horn Clarinet [in A] 1&2 Bass Clarinet [in Bb] Bassoon 1&2 Horn [in F] 1&2 Horn [in F] 3&4 Trumpet 1 Trumpet 2&3 Trombone 1&2 Tuba Percussion Tubular Bells Glockenspiel Vibraphone Celesta Harp Violin I Violin II Viola Violoncello Contrabass p Large cymbal, w/ soft mallet l.v. p pp I mp pp pp sempre I II I II etc. pp sempre I II I II etc. 10 Perc. Vib. Cel. Hp. Vla. Vc. Vib. p D C B Eb Fb G A mp 7 7 7 mp pp I II I II etc. pp 17 A Bsn. 1,2 Perc. Vib. Cel. Hp. Vln. I Vln. II Vla. Vc. n mp n mp Small triangle, w/ light beater pp sempre 3 3 3 3 3 mp 3 p pp p sempre legato 3 3 3 3 3 3 3 3 3 3 cresc. 7 mf f 7 5 5 sul pont., first stand pp sempre 3 sul pont., first stand pp sempre 3 mp n mp n n 2 23 Bsn. 1,2 Perc. Vib. Cel. Vln. I Vln. II pp mp 5 7 3 6 6 pp mp 5 7 5 5 5 Small triangle, w/ light beater 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 26 Eng. Hn. Bsn. 1,2 Hn. 1,2 Hn. 3,4 Perc. Cel. Hp. Vln. I Vln. II pp mp pp 7 7 3 3 6 7 3 3 n n 3 3 poco a poco cresc. 3 3 3 3 3 3 3 3 3 3 3 3 D# C B E F# G A mp 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 29 Eng. Hn. Hn. 1,2 Hn. 3,4 Perc. Cel. Hp. Vln. I Vln. II mf p mf p mf 3 3 3 3 3 mf 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 B 33 Ob. 1,2 Cl. 1,2 Hn. 1,2 Hn. 3,4 C Tpt. 1 C Tpt. 2,3 Perc. Glock. Vib. Cel. Hp. Vln. I Vln. II mf mf fp fp straight mute sfp fp fp fp 3 sfp straight mute fp fp fp 3 Glock. sf p 6 6 5 5 Vib. f 5 mf 5 7 f mf 3 altri div. pizz. f 3 tutti div. pizz. 3 f altri div. pizz. 3 tutti div. pizz. 3 4 36 C Ob. 1,2 Cl. 1,2 Hn. 1,2 Hn. 3,4 C Tpt. 1 C Tpt. 2,3 Perc. Glock. Vib. Cel. Hp. Vln. I Vln. II pp fp mp 3 6 3 6 Small triangle, w/ light beater pp sempre 3 3 3 n 5 6 7 ff mp 5 5 5 5 5 5 n 3 3 3 mp sempre 3 3 3 3 3 3 3 38 Hn. 1,2 Hn. 3,4 Perc. Vib. Cel. Hp. Vln. I mp p mp p mp p poco a poco cresc. 3 3 3 3 3 n mp 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 arco pp 5 40 Bsn. 1,2 Hn. 1,2 Hn. 3,4 Tbn. 1,2 Perc. Cel. Hp. Vln. I p poco a poco cresc. mp mf 5 p poco a poco cresc. mp f mp f mp mf gliss. gliss. 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 arco pp 3 3 3 3 3 3 3 3 6 D 42 Fl. 1,2 Ob. 1,2 Cl. 1,2 B. Cl. Bsn. 1,2 Hn. 1,2 Hn. 3,4 C Tpt. 1 C Tpt. 2,3 Tbn. 1,2 Tba. Glock. Cel. Vln. I Vln. II Vc. Cb. mf mf mf sfp sfp sfp fp fp straight mute fp fp straight mute fp fp sfp sfp sfp sfp Glock. sfz p 6 3 6 6 6 mf poco a poco cresc. 3 3 3 3 3 poco a poco cresc. 3 3 3 3 3 3 p poco a poco cresc. arco 3 3 3 3 3 3 div. pizz. f pizz. f 7 44 Fl. 1,2 Ob. 1,2 Cl. 1,2 B. Cl. Bsn. 1,2 C Tpt. 1 C Tpt. 2,3 Tbn. 1,2 Tba. Perc. Glock. Cel. Vln. I Vln. II mp mp mp mp f mp f f mf 5 f mf 5 mp f 5 mp f Bass Drum mf 5 6 6 6 6 3 3 3 3 3 3 3 3 3 3 3 3 3 8 46 E Fl. 1,2 Ob. 1,2 Cl. 1,2 B. Cl. Bsn. 1,2 C Tpt. 1 C Tpt. 2,3 Tbn. 1,2 Tba. Perc. Glock. Cel. Vln. I Vln. II Vla. Vc. Cb. ff ff ff mf ff mf ff ff 5 ff 5 mf ff 5 mf ff mf ff 5 5 f 3 6 6 6 3 ff 3 3 3 3 3 ff 3 3 ff 3 3 3 3 3 div. f 3 ff arco div. f 3 ff arco div. ff 9 48 Tub. B. Vln. I Vln. II Vla. Vc. Cb. Tub. B. f l.v. mf 5 6 5 p p 3 5 3 5 p p p 52 F Più mosso x=eK Tub. B. Vln. I Vln. II Vla. Vc. Cb. mp 3 n n p n p n solo mp 3 n 3 3 3 3 3 3 3 3 mp 10 57 Cl. 1,2 B. Cl. Bsn. 1,2 Perc. Hp. Vln. I Vln. II Vla. Vc. Cb. p p p 5 5 p p 3 3 3 3 Large cymbal, w/ soft mallet mp l.v. D# C# B E F# G# A# mp 7 7 con sord. p 3 3 con sord. p 5 con sord. p pp n 3 3 3 3 3 3 3 3 3 3 p n G Meno mosso 61 Più mosso Fl. 1,2 Eng. Hn. Cl. 1,2 B. Cl. Bsn. 1,2 Perc. Vib. Cel. Hp. fp rit. a tempo 3 3 3 5 6 6 3 6 5 fp rit. a tempo n 5 6 6 3 5 5 solo mp molto rubato a tempo p 3 3 3 3 mf mf p 3 3 3 p 5 5 p 7 mp mf Vib. mp p p sempre legato f mp 11 65 H Meno mosso Più mosso Fl. 1,2 Ob. 1,2 Cl. 1,2 B. Cl. Bsn. 1,2 Vib. Cel. Hp. Vln. I Vln. II Vla. n fp rit. a tempo 6 6 6 7 fp rit. a tempo 5 6 solo mp molto rubato a tempo 3 3 3 p mf 9 5 p mf 9 5 3 7 mf mp p p f p p 3 3 p 5 68 Fl. 1,2 Ob. 1,2 Tbn. 1,2 Vib. Cel. Vla. Vc. 7 6 3 6 7 6 3 6 6 6 6 p mp gliss. gliss. mp pp div. a 4 p 3 3 mf mp div., con sord. 12 I 70 Fl. 1,2 Ob. 1,2 Bsn. 1,2 Tbn. 1,2 Vib. Cel. Vln. I Vln. II Vla. Vc. Cb. n n 6 6 p n p 5 p n p 5 div. pp sempre 3 3 3 3 3 div. pp sempre 3 3 3 3 p 3 3 3 3 p div., con sord. p 73 Cl. 1,2 Bsn. 1,2 Tbn. 1,2 Vib. Vln. I Vln. II Vla. Vc. Cb. p 1. 3 5 5 3 3 3 p 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 13 77 J Picc. 1,2 Cl. 1,2 Bsn. 1,2 Hn. 1,2 Hn. 3,4 Tbn. 1,2 Tba. Perc. Vln. I Vln. II Vla. Vc. Cb. mp 3 3 3 3 3 3 3 3 3 3 3 3 3 3 p 3 3 3 3 3 3 3 3 fp n fp n fp n fp n 3 3 3 fp n pp sempre l.v. 3 pp sempre 3 pp sempre 3 3 n n n 81 Picc. 1,2 Cl. 1,2 Perc. Vln. I Vln. II 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 14 84 Picc. 1,2 Cl. 1,2 Perc. Hp. Vln. I Vln. II lightly 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 D C Bb E F# G A p 3 3 3 3 3 3 3 3 3 3 87 Picc. 1,2 Ob. 1,2 Cl. 1,2 Perc. Vib. Cel. Hp. Vln. I Vln. II Vla. p 3 3 3 3 3 3 Vib. mp 3 3 3 3 mp mp 3 3 3 3 mp 3 3 3 mp 15 K 90 Fl. 1,2 Ob. 1,2 Cl. 1,2 Hn. 1,2 Hn. 3,4 Picc. Tpt. C Tpt. 2,3 Cel. Hp. Vln. I Vln. II mf 3 3 3 3 3 3 mf mp lightly poco a poco cresc. mf 3 3 3 3 3 3 3 mp 3 mp 3 mp mp solo mf sempre legato 3 mf 3 straight mute mp lightly poco a poco cresc. f sfz sfz D C Bb Eb F Gb Ab D# C# B E F# G# A# div. a 4, senza sord. unmeasured ricochet sfz mf sfz mf div. a 4, senza sord. unmeasured ricochet sfz mf sfz mf 94 Fl. 1,2 Ob. 1,2 Cl. 1,2 Bsn. 1,2 Hn. 1,2 Hn. 3,4 Picc. Tpt. C Tpt. 2,3 Hp. Vln. I Vln. II 3 3 3 f 3 mf 3 3 3 3 f 3 p 3 3 3 p 3 3 mf 3 3 mf f 3 3 mf sffz D C# B E# F G# A sffz f sffz f 16 97 Fl. 1,2 Ob. 1,2 Cl. 1,2 Bsn. 1,2 Hn. 1,2 Hn. 3,4 Picc. Tpt. C Tpt. 2,3 Vln. I Vln. II Vla. Vc. 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 pizz. 3 ff pizz. 3 ff div. a 4, senza sord. f 3 div. a 4, senza sord. f 3 17 L Meno mosso (A tempo, K e=x, q=60) 100 Fl. 1,2 Ob. 1,2 Eng. Hn. Cl. 1,2 Bsn. 1,2 Hn. 1,2 Hn. 3,4 Picc. Tpt. C Tpt. 2,3 Tba. Perc. Tub. B. Vla. Vc. Cb. p sempre p sempre p solo mp 3 3 3 fp f n f n p p f fp mf Tam-tam Tub. B. f mf f p subito I II 3 3 ff div., senza sord. mf div. a 3 f 104 Fl. 1,2 Eng. Hn. Bsn. 1,2 Tba. Tub. B. Vln. I Vln. II Vla. Vc. Cb. mp 3 3 solo, con sord. pp ad libitum n 5 5 solo, con sord. pp ad libitum n 5 5 p I II 3 3 3 3 3 3 3 mp 18 108 Fl. 1,2 Vln. I Vln. II Vla. Vc. Cb. solo pp ad libitum n 5 5 solo pp ad libitum n 5 5 p I II 3 3 3 3 3 3 3 3 3 3 3 3 f mf poco a poco dim. M 112 Fl. 1,2 Perc. Hp. Vln. I Vla. Vc. Cb. pp sempre Small triangle, w/ light beater l.v. mp sempre 3 3 3 3 3 3 3 3 3 II, tutti, senza sord. pp p 3 19 116 Picc. 1,2 Cl. 1,2 Bsn. 1,2 Hn. 1,2 Hn. 3,4 Tba. Perc. Glock. Cel. Hp. Vln. I Vln. II Vla. Vc. Cb. solo p 3 3 3 3 1. pp 9 pp 7 7 pp 9 9 p mp p mp pp Glock. p l.v. pp 11 11 3 3 3 3 3 3 3 tutti, con sord. 5 5 5 pp tutti, con sord. pp p con sord. pp pp solo, con sord. 3 3 3 3 5 5 5 5 con sord. pp p 20 118 Picc. 1,2 Cl. 1,2 Hn. 1,2 Hn. 3,4 Perc. Glock. Cel. Hp. Vln. I Vln. II Vla. Cb. n 3 3 3 3 9 pp 7 7 n n p non rit. 3 3 3 3 3 3 non rit. 3 3 3 3 3 3 3 n 5 non rit. n 21 |
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